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 <title>New PRINTS Books at Antipodean Books</title>
 <link href="http://www.antipodean.com/cgi-bin/antipodean/categoryrss/PRINTS" rel="self"/>
 <link href="http://www.antipodean.com"/>
 <updated>2013-05-22T15:53:17Z</updated>
 <author>
   <name><![CDATA[Antipodean Books]]></name>
   <email>info@antipodean.com</email>
 </author>
 <id>urn:uuid:60a76c80-d399-11d9-b91C-0003939e0af</id>
 

 <entry>
   <title>
	<![CDATA[
	Oath's Unnecessary, previous to taking a Seat in the House. - Pry, Paul.  &#91;Thomas McLean].
	]]>	
   </title>
   <link href="http://www.antipodean.com/cgi-bin/antipodean/18288"/>
   <id>urn:uuid:1225c695-cfb8-4ebb-aaaa-80da344efa6a1</id>
   <updated>2013-05-22T15:53:17Z</updated>
   <summary type="html">
      
	<![CDATA[ 
		Satirical cartoon published  1829, satirizing  Daniel O'Connell.  See BM Satires No. 15766.  O'Connell, with his gown looped over his arm, stands in a carpeted hallway, addressing a waiter "Waiter you Will oblige me mightily by showing me the way to the HOUSE-".  O'Connell was blocked from taking his seat in the British Parliament.  9 3/8 x 13 1/4" with very small margins, tipped onto a larger sheet, with the actual name of the satrized person penciled below in an early hand.  Very fresh period hand color.  Very crisp.   
	]]>
   </summary>
   <content type="html">
    
       <![CDATA[ 
		
     <br/>Pry, Paul.  &#91;Thomas McLean].

        
        <br/>London:T. McLean 26 Haymarket,1829.

        <br/>Price: $450.00
       
	]]>
   </content>
 </entry>

 <entry>
   <title>
	<![CDATA[
	The Guard Wot Looks Arter the Sovereign. - Pry, Paul.  &#91;Thomas McLean].
	]]>	
   </title>
   <link href="http://www.antipodean.com/cgi-bin/antipodean/18289"/>
   <id>urn:uuid:1225c695-cfb8-4ebb-aaaa-80da344efa6a2</id>
   <updated>2013-05-22T15:53:17Z</updated>
   <summary type="html">
      
	<![CDATA[ 
		Satirical cartoon published April 28, 1829, satirizing the Marchioness of Conyngham, wife of an Irish peer, treasured mistress of King George IV and at one time Czar Nicholas.  See BM Satires No. 15733.  Lady Conyngham stands as a very heavy woman, feet apart, with a cocked blunderbuss under her arm, in the manner of a gamekeeper.  The caption reads "I says to our Governor says I... keep your eye on them ere Leaders George.  9 3/8 x 13 1/4" with very small margins, tipped onto a larger sheet, with the actual name of the satirized person penciled below in an early hand.  Very fresh period hand color.  Very crisp.   
	]]>
   </summary>
   <content type="html">
    
       <![CDATA[ 
		
     <br/>Pry, Paul.  &#91;Thomas McLean].

        
        <br/>London:T. McLean 26 Haymarket,1829.

        <br/>Price: $300.00
       
	]]>
   </content>
 </entry>

 <entry>
   <title>
	<![CDATA[
	A Parliamentary Game of Shuttlecock. - &#91;Ireland]  &#91;Thomas McLean].
	]]>	
   </title>
   <link href="http://www.antipodean.com/cgi-bin/antipodean/18290"/>
   <id>urn:uuid:1225c695-cfb8-4ebb-aaaa-80da344efa6a3</id>
   <updated>2013-05-22T15:53:17Z</updated>
   <summary type="html">
      
	<![CDATA[ 
		Satirical cartoon published May 1829, satirizing the British Parliament and the Irish constituents of Mr. O'Connell in his attempt to take his seat.  His electors were the forty-shilling freeholders now disenfranchised.  He is see astride badminton shuttlecock about to be swatted back over to Ireland by the Speaker, with Wellington looking on and Lord Angeles.  See BM Satires No. 15761.  The Irish electorate is pictured as a crowd dressed in green, also holding badminton rackets, on the opposite shore.  9 3/8 x 13 1/4" with very small margins, tipped onto a larger sheet, with the actual name of the satirized person penciled below in an early hand.  Very fresh period hand color.  Very crisp.   
	]]>
   </summary>
   <content type="html">
    
       <![CDATA[ 
		
     <br/>&#91;Ireland]  &#91;Thomas McLean].

        
        <br/>London:T. McLean 26 Haymarket,1829.

        <br/>Price: $500.00
       
	]]>
   </content>
 </entry>

 <entry>
   <title>
	<![CDATA[
	The Mountain in Labour - or Much ado about nothing. - &#91;Thomas McLean].
	]]>	
   </title>
   <link href="http://www.antipodean.com/cgi-bin/antipodean/18291"/>
   <id>urn:uuid:1225c695-cfb8-4ebb-aaaa-80da344efa6a4</id>
   <updated>2013-05-22T15:53:17Z</updated>
   <summary type="html">
      
	<![CDATA[ 
		Satirical cartoon published March 2, 1829, regarding an Anti-Catholic bill & the Irish.   See BM Satires No. 15677.  On a grassy plateau, Wellington, Peel and an old woman, as doctor-accoucheur, apothecary and nurse.  "The Times" had urged concessions to the Catholics, and was accused as being the "hireling of Popery".  Characters include Robert Peel, Lord Wellington (holding "ministerial forceps", Mawworm, Irving and in the middle distance, O'Connell.  9 3/8 x 13 1/4" with very small margins, tipped onto a larger sheet, with the actual name of the satrized person penciled below in an early hand.  Very fresh period hand color.  Very crisp.   
	]]>
   </summary>
   <content type="html">
    
       <![CDATA[ 
		
     <br/>&#91;Thomas McLean].

        
        <br/>London:T. McLean 26 Haymarket,1829.

        <br/>Price: $300.00
       
	]]>
   </content>
 </entry>

 <entry>
   <title>
	<![CDATA[
	A 40sh Freeholders only Expedient for the Salvation of Boby & Soul. - Pry, Paul.  &#91;Thomas McLean].
	]]>	
   </title>
   <link href="http://www.antipodean.com/cgi-bin/antipodean/18293"/>
   <id>urn:uuid:1225c695-cfb8-4ebb-aaaa-80da344efa6a5</id>
   <updated>2013-05-22T15:53:17Z</updated>
   <summary type="html">
      
	<![CDATA[ 
		Satirical cartoon published  1829, satirizing  the Irish and the Catholic church.  The freeholder, a ragged Irish peasant, stand between a bloated priest (left) and a fashionably dressed young man.  Irish leaseholders won decisive elections in Waterford, Louth and Clare (1826) and there was an attempt to refuse seating their representatives in Parliament.  See BM Satires No. 15537.  9 3/8 x 13 1/4" with very small margins, tipped onto a larger sheet, with the actual name of the satrized person penciled below in an early hand.  Very fresh period hand color.  Very crisp.   
	]]>
   </summary>
   <content type="html">
    
       <![CDATA[ 
		
     <br/>Pry, Paul.  &#91;Thomas McLean].

        
        <br/>London:T. McLean 26 Haymarket,1829.

        <br/>Price: $350.00
       
	]]>
   </content>
 </entry>

 <entry>
   <title>
	<![CDATA[
	An Independant Freeholder rejoicing at the Triumph of the Man of the Papal. - Pry, Paul.  &#91;Thomas McLean].
	]]>	
   </title>
   <link href="http://www.antipodean.com/cgi-bin/antipodean/18294"/>
   <id>urn:uuid:1225c695-cfb8-4ebb-aaaa-80da344efa6a6</id>
   <updated>2013-05-22T15:53:17Z</updated>
   <summary type="html">
      
	<![CDATA[ 
		Caricature satirizing the Irish peasantry - here the fellow capers delightedly; he has shaggy hair with a ribbon around it, coarse features and wildly glaring eyes, and he is dressed in rags.  He holds a scepter fashioned from a cudgel with a fork affixed to the top, with a speared potato crowning it.  He shouts; "O'Connell for ever and a day after be der mighty powers but we'll be getting mancipation and whiskeypation for nothing..."  See BM Satires No. 15539.  9 3/8 x 13 1/4" with very small margins, tipped onto a larger sheet, with the actual name of the satirized person penciled below in an early hand.  Very fresh period hand color.  Very crisp.  A variation of this caricature (depicting a less debauched Irishman) appeared at auction in Ireland in 2011. 
	]]>
   </summary>
   <content type="html">
    
       <![CDATA[ 
		
     <br/>Pry, Paul.  &#91;Thomas McLean].

        
        <br/>London:T. McLean 26 Haymarket,1827-1830.

        <br/>Price: $500.00
       
	]]>
   </content>
 </entry>

 <entry>
   <title>
	<![CDATA[
	Irish M.P's. - Pry, Paul.  &#91;Thomas McLean].
	]]>	
   </title>
   <link href="http://www.antipodean.com/cgi-bin/antipodean/18295"/>
   <id>urn:uuid:1225c695-cfb8-4ebb-aaaa-80da344efa6a7</id>
   <updated>2013-05-22T15:53:17Z</updated>
   <summary type="html">
      
	<![CDATA[ 
		Satirical cartoon published 1829, satirizing the Irish and the attempt of their representative Daniel O'Connell to take his seat in Parliament.  A ragged Irishman stands to the left, with a gowned Englishman seated asking "O'C for O'Connell thats right - now Pat what does M P stand for eh?  The Irishman replies "Mealy Potato".  We were unable to locate this in BM Satires.  9 3/8 x 13 1/4" with very small margins, tipped onto a larger sheet, with the actual name of the satrized person penciled below in an early hand.  Very fresh period hand color.  Very crisp.   
	]]>
   </summary>
   <content type="html">
    
       <![CDATA[ 
		
     <br/>Pry, Paul.  &#91;Thomas McLean].

        
        <br/>London:T. McLean 26 Haymarket,1829.

        <br/>Price: $375.00
       
	]]>
   </content>
 </entry>

 <entry>
   <title>
	<![CDATA[
	John Bull in Perplexity or Ascendancy versus Union.-. - Pry, Paul.  &#91;Thomas McLean].
	]]>	
   </title>
   <link href="http://www.antipodean.com/cgi-bin/antipodean/18296"/>
   <id>urn:uuid:1225c695-cfb8-4ebb-aaaa-80da344efa6a8</id>
   <updated>2013-05-22T15:53:17Z</updated>
   <summary type="html">
      
	<![CDATA[ 
		Satirical cartoon.  The foreground is crowded with British politicians, clergymen, a ragged boy meant to signify the Irish, a dancing devil, and the King.  Behind them approaches a wagon bearing the banner "Common State Waggon, John Bull & Co", drawn by a white team of horses at the front, and drawn in the opposite direction by a team of black horses at the back.    See BM Satires No. 15658.  The extended title - His progress, they said, depended on Ascendancy; and this, they told him, was Ascendancy - and consequently the only thing that could do him good.  Westminster Review No. 19".  Characters portrayed include Wellington, Peel, Dundatt, Scarlett, Anglesea, Brougham, Eldon, Prince George Cumberland, Irving and Mawworm.  The Devil dances, smoking a fiery cigar inscribed 'Religion'.  9 3/8 x 13 1/4" with very small margins, tipped onto a larger sheet, with the actual name of the satirized person penciled below in an early hand.  Very fresh period hand color.  Very crisp.   
	]]>
   </summary>
   <content type="html">
    
       <![CDATA[ 
		
     <br/>Pry, Paul.  &#91;Thomas McLean].

        
        <br/>London:T. McLean 26 Haymarket,1828-1830.

        <br/>Price: $250.00
       
	]]>
   </content>
 </entry>

 <entry>
   <title>
	<![CDATA[
	Are You the Man Wot Drives the Sovereign? - Sharpshooter, A.  &#91;S. Gans ].
	]]>	
   </title>
   <link href="http://www.antipodean.com/cgi-bin/antipodean/18297"/>
   <id>urn:uuid:1225c695-cfb8-4ebb-aaaa-80da344efa6a9</id>
   <updated>2013-05-22T15:53:17Z</updated>
   <summary type="html">
      
	<![CDATA[ 
		Satirical cartoon published  April 26,1829, satirizing  who influences the King.  A singular, heavy man in top coat is bent slightly forwarded.   See BM Satires No. 15735.  It is implied that the Duke of Wellington controls King George IV.  9 3/8 x 13 1/4" with very small margins, tipped onto a larger sheet, with the actual name of the satirized person penciled below in an early hand.  Very fresh period hand color.  Very crisp.   
	]]>
   </summary>
   <content type="html">
    
       <![CDATA[ 
		
     <br/>Sharpshooter, A.  &#91;S. Gans ].

        
        <br/>London:S. Gans, 15, Southampton St. Strand,1829.

        <br/>Price: $200.00
       
	]]>
   </content>
 </entry>

 <entry>
   <title>
	<![CDATA[
	A Labourer in the Good Cause. - Pry, Paul.  &#91;Thomas McLean].
	]]>	
   </title>
   <link href="http://www.antipodean.com/cgi-bin/antipodean/18298"/>
   <id>urn:uuid:1225c695-cfb8-4ebb-aaaa-80da344efa6a10</id>
   <updated>2013-05-22T15:53:17Z</updated>
   <summary type="html">
      
	<![CDATA[ 
		Satirical cartoon portraying Lord Eldon as a hard working politician.  See BM Satires No. 15680.  He appears in rolled up shirt sleeves, bundles of petitions under his arms and balanced on his head.  9 3/8 x 13 1/4" with very small margins, tipped onto a larger sheet, with the actual name of the satrized person penciled below in an early hand.  Very fresh period hand color.  Very crisp.   
	]]>
   </summary>
   <content type="html">
    
       <![CDATA[ 
		
     <br/>Pry, Paul.  &#91;Thomas McLean].

        
        <br/>London:T. McLean 26 Haymarket,1828-1830.

        <br/>Price: $250.00
       
	]]>
   </content>
 </entry>

 <entry>
   <title>
	<![CDATA[
	Baxter print of the Dinosaur statues at Crystal Palace. - Owens, Richard.
	]]>	
   </title>
   <link href="http://www.antipodean.com/cgi-bin/antipodean/18118"/>
   <id>urn:uuid:1225c695-cfb8-4ebb-aaaa-80da344efa6a11</id>
   <updated>2013-05-22T15:53:17Z</updated>
   <summary type="html">
      
	<![CDATA[ 
		Baxter print of the Dinosaur statues at Crystal Palace. Designed by Benjamin Waterhouse Hawkers, these statues were based on prevailing thought of the day on dinosaurs. The statues are now part of the park landscape at Sydenham, London. Baxter printing was an early patented, high quality printing process using oils.  Lettered within image with "Published Octr. 30, 1854, by G. Baxter, proprietor and patenter, London.  B&w image, slt marked, laid down on card stock.  6 1/4 x 4 1/2". 
	]]>
   </summary>
   <content type="html">
    
       <![CDATA[ 
		
     <br/>Owens, Richard.

        
        <br/>London:1854.

        <br/>Price: $125.00
       
	]]>
   </content>
 </entry>

 <entry>
   <title>
	<![CDATA[
	Snowy Owl.  Nyctea. Linn, Male, 1 Female, 2. - &#91;Audubon, John James].
	]]>	
   </title>
   <link href="http://www.antipodean.com/cgi-bin/antipodean/16884"/>
   <id>urn:uuid:1225c695-cfb8-4ebb-aaaa-80da344efa6a12</id>
   <updated>2013-05-22T15:53:17Z</updated>
   <summary type="html">
      
	<![CDATA[ 
		Stunning pair of Snowy Owls on a dark background.  Extremely high quality facsimile giclee prints taken from an original elephant folio edition of Audubon's "Birds of America", original sold to the Teylers Museum in Haarlem, Netherlands in 1833.   No. 3/250.  The prints are printed on Hahnemuhle white etching paper, 25% rag, which is age resistant.   They are printed using archival ink which resists  fading for up to 100 years.  It is printed in the original size, proofed by the museum's curator,  at an extremely high resolution of 2880 dpi.  26.4 x 39".   They are never produced with the use of stock diapositives or negatives.  The quality far exceeds all other Audubon print reproductions.  
	]]>
   </summary>
   <content type="html">
    
       <![CDATA[ 
		
     <br/>&#91;Audubon, John James].

        
        <br/>Amsterdam:Heritage Editions,2012.

        <br/>Price: $550.00
       
	]]>
   </content>
 </entry>

 <entry>
   <title>
	<![CDATA[
	A Chinese Doorway, Chinatown, San Francisco. - Partington, J. H. E.
	]]>	
   </title>
   <link href="http://www.antipodean.com/cgi-bin/antipodean/17963"/>
   <id>urn:uuid:1225c695-cfb8-4ebb-aaaa-80da344efa6a13</id>
   <updated>2013-05-22T15:53:17Z</updated>
   <summary type="html">
      
	<![CDATA[ 
		Charming San Francisco Chinatown lithograph of a turn of the century building and ornate doorway, signed J. H. E. Partington at the lower right.  Partington was a well known San Francisco portraitist (1843 - 1899), who established a studio and art school on Pine Street, and whose seven children all found careers in the arts.  With an ornate doorway surmounted with a sign in Chinese characters and a Chinese lantern.  Three figures lounge in the doorway.    7 x 10" print laid down at corners on 11 x 14" stiff card.  Some damp stains at margins of stiff card. 
	]]>
   </summary>
   <content type="html">
    
       <![CDATA[ 
		
     <br/>Partington, J. H. E.

        
        <br/>San Francisco:H. S. Crocker Co,1898.

        <br/>Price: $350.00
       
	]]>
   </content>
 </entry>

 <entry>
   <title>
	<![CDATA[
	La Trompe Sonne.
	]]>	
   </title>
   <link href="http://www.antipodean.com/cgi-bin/antipodean/17893"/>
   <id>urn:uuid:1225c695-cfb8-4ebb-aaaa-80da344efa6a14</id>
   <updated>2013-05-22T15:53:17Z</updated>
   <summary type="html">
      
	<![CDATA[ 
		Lithograph print  with pouchoir color, an intensive process that uses stencils to apply the vibrant color.   7 1/4 x 9 1/2".   The "Gazette du Bon Ton" was a leading fashion magazine published from 1912 to 1925, the highlight of which were 10 colored plates in each issue.  The magazine signed exclusive contracts with seven of Paris's top couture houses (Cheruit, Doeuillet, Doucet, Paquin, Poiret, Redfern, and Worth) so that the designers'  fashions were shown only in the pages of the Gazette.  An annual subscription was 100 francs, the equivalent of over $400 today.   
	]]>
   </summary>
   <content type="html">
    
       <![CDATA[ 
		
     

        
        <br/>Paris.

        <br/>Price: $175.00
       
	]]>
   </content>
 </entry>

 <entry>
   <title>
	<![CDATA[
	Voila Le Printemps.
	]]>	
   </title>
   <link href="http://www.antipodean.com/cgi-bin/antipodean/17895"/>
   <id>urn:uuid:1225c695-cfb8-4ebb-aaaa-80da344efa6a15</id>
   <updated>2013-05-22T15:53:17Z</updated>
   <summary type="html">
      
	<![CDATA[ 
		Lithograph print  with pouchoir color, an intensive process that uses stencils to apply the vibrant color.   7 1/4 x 9 1/2".   The "Gazette du Bon Ton" was a leading fashion magazine published from 1912 to 1925, the highlight of which were 10 colored plates in each issue.  The magazine signed exclusive contracts with seven of Paris's top couture houses (Cheruit, Doeuillet, Doucet, Paquin, Poiret, Redfern, and Worth) so that the designers'  fashions were shown only in the pages of the Gazette.  An annual subscription was 100 francs, the equivalent of over $400 today.   
	]]>
   </summary>
   <content type="html">
    
       <![CDATA[ 
		
     

        
        <br/>Paris.

        <br/>Price: $145.00
       
	]]>
   </content>
 </entry>

 <entry>
   <title>
	<![CDATA[
	Pas De Promenade Tom... Il Pleut.
	]]>	
   </title>
   <link href="http://www.antipodean.com/cgi-bin/antipodean/17896"/>
   <id>urn:uuid:1225c695-cfb8-4ebb-aaaa-80da344efa6a16</id>
   <updated>2013-05-22T15:53:17Z</updated>
   <summary type="html">
      
	<![CDATA[ 
		Lithograph print  with pouchoir color, an intensive process that uses stencils to apply the vibrant color.   7 1/4 x 9 1/2".   The "Gazette du Bon Ton" was a leading fashion magazine published from 1912 to 1925, the highlight of which were 10 colored plates in each issue.  The magazine signed exclusive contracts with seven of Paris's top couture houses (Cheruit, Doeuillet, Doucet, Paquin, Poiret, Redfern, and Worth) so that the designers'  fashions were shown only in the pages of the Gazette.  An annual subscription was 100 francs, the equivalent of over $400 today.   
	]]>
   </summary>
   <content type="html">
    
       <![CDATA[ 
		
     

        
        <br/>Paris.

        <br/>Price: $145.00
       
	]]>
   </content>
 </entry>

 <entry>
   <title>
	<![CDATA[
	L'Oiseau Mort.
	]]>	
   </title>
   <link href="http://www.antipodean.com/cgi-bin/antipodean/17897"/>
   <id>urn:uuid:1225c695-cfb8-4ebb-aaaa-80da344efa6a17</id>
   <updated>2013-05-22T15:53:17Z</updated>
   <summary type="html">
      
	<![CDATA[ 
		Lithograph print  with pouchoir color, an intensive process that uses stencils to apply the vibrant color.   7 1/4 x 9 1/2".   The "Gazette du Bon Ton" was a leading fashion magazine published from 1912 to 1925, the highlight of which were 10 colored plates in each issue.  The magazine signed exclusive contracts with seven of Paris's top couture houses (Cheruit, Doeuillet, Doucet, Paquin, Poiret, Redfern, and Worth) so that the designers'  fashions were shown only in the pages of the Gazette.  An annual subscription was 100 francs, the equivalent of over $400 today.   
	]]>
   </summary>
   <content type="html">
    
       <![CDATA[ 
		
     

        
        <br/>Paris.

        <br/>Price: $145.00
       
	]]>
   </content>
 </entry>

 <entry>
   <title>
	<![CDATA[
	Antinea.
	]]>	
   </title>
   <link href="http://www.antipodean.com/cgi-bin/antipodean/17899"/>
   <id>urn:uuid:1225c695-cfb8-4ebb-aaaa-80da344efa6a18</id>
   <updated>2013-05-22T15:53:17Z</updated>
   <summary type="html">
      
	<![CDATA[ 
		Lithograph print  with pouchoir color, an intensive process that uses stencils to apply the vibrant color.   7 1/4 x 9 1/2".   The "Gazette du Bon Ton" was a leading fashion magazine published from 1912 to 1925, the highlight of which were 10 colored plates in each issue.  The magazine signed exclusive contracts with seven of Paris's top couture houses (Cheruit, Doeuillet, Doucet, Paquin, Poiret, Redfern, and Worth) so that the designers'  fashions were shown only in the pages of the Gazette.  An annual subscription was 100 francs, the equivalent of over $400 today.   
	]]>
   </summary>
   <content type="html">
    
       <![CDATA[ 
		
     

        
        <br/>Paris.

        <br/>Price: $145.00
       
	]]>
   </content>
 </entry>

 <entry>
   <title>
	<![CDATA[
	Jamais Pretes ou Le Premier Acte Sacrifie.
	]]>	
   </title>
   <link href="http://www.antipodean.com/cgi-bin/antipodean/17900"/>
   <id>urn:uuid:1225c695-cfb8-4ebb-aaaa-80da344efa6a19</id>
   <updated>2013-05-22T15:53:17Z</updated>
   <summary type="html">
      
	<![CDATA[ 
		Lithograph print  with pouchoir color, an intensive process that uses stencils to apply the vibrant color.   7 1/4 x 9 1/2".   The "Gazette du Bon Ton" was a leading fashion magazine published from 1912 to 1925, the highlight of which were 10 colored plates in each issue.  The magazine signed exclusive contracts with seven of Paris's top couture houses (Cheruit, Doeuillet, Doucet, Paquin, Poiret, Redfern, and Worth) so that the designers'  fashions were shown only in the pages of the Gazette.  An annual subscription was 100 francs, the equivalent of over $400 today.   
	]]>
   </summary>
   <content type="html">
    
       <![CDATA[ 
		
     

        
        <br/>Paris.

        <br/>Price: $145.00
       
	]]>
   </content>
 </entry>

 <entry>
   <title>
	<![CDATA[
	Si On Rentrait Gouter...
	]]>	
   </title>
   <link href="http://www.antipodean.com/cgi-bin/antipodean/17901"/>
   <id>urn:uuid:1225c695-cfb8-4ebb-aaaa-80da344efa6a20</id>
   <updated>2013-05-22T15:53:17Z</updated>
   <summary type="html">
      
	<![CDATA[ 
		Lithograph print  with pouchoir color, an intensive process that uses stencils to apply the vibrant color.   7 1/4 x 9 1/2".   The "Gazette du Bon Ton" was a leading fashion magazine published from 1912 to 1925, the highlight of which were 10 colored plates in each issue.  The magazine signed exclusive contracts with seven of Paris's top couture houses (Cheruit, Doeuillet, Doucet, Paquin, Poiret, Redfern, and Worth) so that the designers'  fashions were shown only in the pages of the Gazette.  An annual subscription was 100 francs, the equivalent of over $400 today.   
	]]>
   </summary>
   <content type="html">
    
       <![CDATA[ 
		
     

        
        <br/>Paris.

        <br/>Price: $125.00
       
	]]>
   </content>
 </entry>

 <entry>
   <title>
	<![CDATA[
	Con Molto Sentimento.
	]]>	
   </title>
   <link href="http://www.antipodean.com/cgi-bin/antipodean/17902"/>
   <id>urn:uuid:1225c695-cfb8-4ebb-aaaa-80da344efa6a21</id>
   <updated>2013-05-22T15:53:17Z</updated>
   <summary type="html">
      
	<![CDATA[ 
		Lithograph print  with pouchoir color, an intensive process that uses stencils to apply the vibrant color.   7 1/4 x 9 1/2".   The "Gazette du Bon Ton" was a leading fashion magazine published from 1912 to 1925, the highlight of which were 10 colored plates in each issue.  The magazine signed exclusive contracts with seven of Paris's top couture houses (Cheruit, Doeuillet, Doucet, Paquin, Poiret, Redfern, and Worth) so that the designers'  fashions were shown only in the pages of the Gazette.  An annual subscription was 100 francs, the equivalent of over $400 today.   
	]]>
   </summary>
   <content type="html">
    
       <![CDATA[ 
		
     

        
        <br/>Paris.

        <br/>Price: $145.00
       
	]]>
   </content>
 </entry>

 <entry>
   <title>
	<![CDATA[
	Pour Les Pauvres.
	]]>	
   </title>
   <link href="http://www.antipodean.com/cgi-bin/antipodean/17903"/>
   <id>urn:uuid:1225c695-cfb8-4ebb-aaaa-80da344efa6a22</id>
   <updated>2013-05-22T15:53:17Z</updated>
   <summary type="html">
      
	<![CDATA[ 
		Lithograph print  with pouchoir color, an intensive process that uses stencils to apply the vibrant color.   7 1/4 x 9 1/2".   The "Gazette du Bon Ton" was a leading fashion magazine published from 1912 to 1925, the highlight of which were 10 colored plates in each issue.  The magazine signed exclusive contracts with seven of Paris's top couture houses (Cheruit, Doeuillet, Doucet, Paquin, Poiret, Redfern, and Worth) so that the designers'  fashions were shown only in the pages of the Gazette.  An annual subscription was 100 francs, the equivalent of over $400 today.   
	]]>
   </summary>
   <content type="html">
    
       <![CDATA[ 
		
     

        
        <br/>Paris.

        <br/>Price: $145.00
       
	]]>
   </content>
 </entry>

 <entry>
   <title>
	<![CDATA[
	De La Fumee.
	]]>	
   </title>
   <link href="http://www.antipodean.com/cgi-bin/antipodean/17904"/>
   <id>urn:uuid:1225c695-cfb8-4ebb-aaaa-80da344efa6a23</id>
   <updated>2013-05-22T15:53:17Z</updated>
   <summary type="html">
      
	<![CDATA[ 
		Lithograph print  with pouchoir color, an intensive process that uses stencils to apply the vibrant color.   7 1/4 x 9 1/2".   The "Gazette du Bon Ton" was a leading fashion magazine published from 1912 to 1925, the highlight of which were 10 colored plates in each issue.  The magazine signed exclusive contracts with seven of Paris's top couture houses (Cheruit, Doeuillet, Doucet, Paquin, Poiret, Redfern, and Worth) so that the designers'  fashions were shown only in the pages of the Gazette.  An annual subscription was 100 francs, the equivalent of over $400 today.   
	]]>
   </summary>
   <content type="html">
    
       <![CDATA[ 
		
     

        
        <br/>Paris.

        <br/>Price: $145.00
       
	]]>
   </content>
 </entry>

 <entry>
   <title>
	<![CDATA[
	La Soubrette Annamite.
	]]>	
   </title>
   <link href="http://www.antipodean.com/cgi-bin/antipodean/17905"/>
   <id>urn:uuid:1225c695-cfb8-4ebb-aaaa-80da344efa6a24</id>
   <updated>2013-05-22T15:53:17Z</updated>
   <summary type="html">
      
	<![CDATA[ 
		Lithograph print  with pouchoir color, an intensive process that uses stencils to apply the vibrant color.   7 1/4 x 9 1/2".   The "Gazette du Bon Ton" was a leading fashion magazine published from 1912 to 1925, the highlight of which were 10 colored plates in each issue.  The magazine signed exclusive contracts with seven of Paris's top couture houses (Cheruit, Doeuillet, Doucet, Paquin, Poiret, Redfern, and Worth) so that the designers'  fashions were shown only in the pages of the Gazette.  An annual subscription was 100 francs, the equivalent of over $400 today.   
	]]>
   </summary>
   <content type="html">
    
       <![CDATA[ 
		
     

        
        <br/>Paris.

        <br/>Price: $125.00
       
	]]>
   </content>
 </entry>

 <entry>
   <title>
	<![CDATA[
	Le Plaisir a la Mode.
	]]>	
   </title>
   <link href="http://www.antipodean.com/cgi-bin/antipodean/17906"/>
   <id>urn:uuid:1225c695-cfb8-4ebb-aaaa-80da344efa6a25</id>
   <updated>2013-05-22T15:53:17Z</updated>
   <summary type="html">
      
	<![CDATA[ 
		Lithograph print  with pouchoir color, an intensive process that uses stencils to apply the vibrant color.   7 1/4 x 9 1/2".   The "Gazette du Bon Ton" was a leading fashion magazine published from 1912 to 1925, the highlight of which were 10 colored plates in each issue.  The magazine signed exclusive contracts with seven of Paris's top couture houses (Cheruit, Doeuillet, Doucet, Paquin, Poiret, Redfern, and Worth) so that the designers'  fashions were shown only in the pages of the Gazette.  An annual subscription was 100 francs, the equivalent of over $400 today.   
	]]>
   </summary>
   <content type="html">
    
       <![CDATA[ 
		
     

        
        <br/>Paris.

        <br/>Price: $145.00
       
	]]>
   </content>
 </entry>

 <entry>
   <title>
	<![CDATA[
	Monsieur Est-Il Rentre?
	]]>	
   </title>
   <link href="http://www.antipodean.com/cgi-bin/antipodean/17907"/>
   <id>urn:uuid:1225c695-cfb8-4ebb-aaaa-80da344efa6a26</id>
   <updated>2013-05-22T15:53:17Z</updated>
   <summary type="html">
      
	<![CDATA[ 
		Lithograph print  with pouchoir color, an intensive process that uses stencils to apply the vibrant color.   7 1/4 x 9 1/2".   The "Gazette du Bon Ton" was a leading fashion magazine published from 1912 to 1925, the highlight of which were 10 colored plates in each issue.  The magazine signed exclusive contracts with seven of Paris's top couture houses (Cheruit, Doeuillet, Doucet, Paquin, Poiret, Redfern, and Worth) so that the designers'  fashions were shown only in the pages of the Gazette.  An annual subscription was 100 francs, the equivalent of over $400 today.   
	]]>
   </summary>
   <content type="html">
    
       <![CDATA[ 
		
     

        
        <br/>Paris.

        <br/>Price: $145.00
       
	]]>
   </content>
 </entry>

 <entry>
   <title>
	<![CDATA[
	"Il n'a pas Pleure"
	]]>	
   </title>
   <link href="http://www.antipodean.com/cgi-bin/antipodean/17908"/>
   <id>urn:uuid:1225c695-cfb8-4ebb-aaaa-80da344efa6a27</id>
   <updated>2013-05-22T15:53:17Z</updated>
   <summary type="html">
      
	<![CDATA[ 
		Lithograph print  with pouchoir color, an intensive process that uses stencils to apply the vibrant color.   7 1/4 x 9 1/2".   The "Gazette du Bon Ton" was a leading fashion magazine published from 1912 to 1925, the highlight of which were 10 colored plates in each issue.  The magazine signed exclusive contracts with seven of Paris's top couture houses (Cheruit, Doeuillet, Doucet, Paquin, Poiret, Redfern, and Worth) so that the designers'  fashions were shown only in the pages of the Gazette.  An annual subscription was 100 francs, the equivalent of over $400 today.   
	]]>
   </summary>
   <content type="html">
    
       <![CDATA[ 
		
     

        
        <br/>Paris.

        <br/>Price: $145.00
       
	]]>
   </content>
 </entry>

 <entry>
   <title>
	<![CDATA[
	A L'Oasis ou La Voute Pneumatique.
	]]>	
   </title>
   <link href="http://www.antipodean.com/cgi-bin/antipodean/17909"/>
   <id>urn:uuid:1225c695-cfb8-4ebb-aaaa-80da344efa6a28</id>
   <updated>2013-05-22T15:53:17Z</updated>
   <summary type="html">
      
	<![CDATA[ 
		Lithograph print  with pouchoir color, an intensive process that uses stencils to apply the vibrant color.   7 1/4 x 9 1/2".   The "Gazette du Bon Ton" was a leading fashion magazine published from 1912 to 1925, the highlight of which were 10 colored plates in each issue.  The magazine signed exclusive contracts with seven of Paris's top couture houses (Cheruit, Doeuillet, Doucet, Paquin, Poiret, Redfern, and Worth) so that the designers'  fashions were shown only in the pages of the Gazette.  An annual subscription was 100 francs, the equivalent of over $400 today.   
	]]>
   </summary>
   <content type="html">
    
       <![CDATA[ 
		
     

        
        <br/>Paris.

        <br/>Price: $145.00
       
	]]>
   </content>
 </entry>

 <entry>
   <title>
	<![CDATA[
	Les Cinq Sens.
	]]>	
   </title>
   <link href="http://www.antipodean.com/cgi-bin/antipodean/17910"/>
   <id>urn:uuid:1225c695-cfb8-4ebb-aaaa-80da344efa6a29</id>
   <updated>2013-05-22T15:53:17Z</updated>
   <summary type="html">
      
	<![CDATA[ 
		Lithograph print  with pouchoir color, an intensive process that uses stencils to apply the vibrant color.   7 1/4 x 9 1/2".   The "Gazette du Bon Ton" was a leading fashion magazine published from 1912 to 1925, the highlight of which were 10 colored plates in each issue.  The magazine signed exclusive contracts with seven of Paris's top couture houses (Cheruit, Doeuillet, Doucet, Paquin, Poiret, Redfern, and Worth) so that the designers'  fashions were shown only in the pages of the Gazette.  An annual subscription was 100 francs, the equivalent of over $400 today.   
	]]>
   </summary>
   <content type="html">
    
       <![CDATA[ 
		
     

        
        <br/>Paris.

        <br/>Price: $145.00
       
	]]>
   </content>
 </entry>

 <entry>
   <title>
	<![CDATA[
	Le Temps Se Gate ou "Cela N'arrive Qu'a Moi"
	]]>	
   </title>
   <link href="http://www.antipodean.com/cgi-bin/antipodean/17911"/>
   <id>urn:uuid:1225c695-cfb8-4ebb-aaaa-80da344efa6a30</id>
   <updated>2013-05-22T15:53:17Z</updated>
   <summary type="html">
      
	<![CDATA[ 
		Lithograph print  with pouchoir color, an intensive process that uses stencils to apply the vibrant color.   7 1/4 x 9 1/2".   The "Gazette du Bon Ton" was a leading fashion magazine published from 1912 to 1925, the highlight of which were 10 colored plates in each issue.  The magazine signed exclusive contracts with seven of Paris's top couture houses (Cheruit, Doeuillet, Doucet, Paquin, Poiret, Redfern, and Worth) so that the designers'  fashions were shown only in the pages of the Gazette.  An annual subscription was 100 francs, the equivalent of over $400 today.   
	]]>
   </summary>
   <content type="html">
    
       <![CDATA[ 
		
     

        
        <br/>Paris.

        <br/>Price: $145.00
       
	]]>
   </content>
 </entry>

 <entry>
   <title>
	<![CDATA[
	Les Voila!
	]]>	
   </title>
   <link href="http://www.antipodean.com/cgi-bin/antipodean/17912"/>
   <id>urn:uuid:1225c695-cfb8-4ebb-aaaa-80da344efa6a31</id>
   <updated>2013-05-22T15:53:17Z</updated>
   <summary type="html">
      
	<![CDATA[ 
		Lithograph print  with pouchoir color, an intensive process that uses stencils to apply the vibrant color.   7 1/4 x 9 1/2".   The "Gazette du Bon Ton" was a leading fashion magazine published from 1912 to 1925, the highlight of which were 10 colored plates in each issue.  The magazine signed exclusive contracts with seven of Paris's top couture houses (Cheruit, Doeuillet, Doucet, Paquin, Poiret, Redfern, and Worth) so that the designers'  fashions were shown only in the pages of the Gazette.  An annual subscription was 100 francs, the equivalent of over $400 today.   
	]]>
   </summary>
   <content type="html">
    
       <![CDATA[ 
		
     

        
        <br/>Paris.

        <br/>Price: $125.00
       
	]]>
   </content>
 </entry>

 <entry>
   <title>
	<![CDATA[
	Rentrons.
	]]>	
   </title>
   <link href="http://www.antipodean.com/cgi-bin/antipodean/17913"/>
   <id>urn:uuid:1225c695-cfb8-4ebb-aaaa-80da344efa6a32</id>
   <updated>2013-05-22T15:53:17Z</updated>
   <summary type="html">
      
	<![CDATA[ 
		Lithograph print  with pouchoir color, an intensive process that uses stencils to apply the vibrant color.   7 1/4 x 9 1/2".   The "Gazette du Bon Ton" was a leading fashion magazine published from 1912 to 1925, the highlight of which were 10 colored plates in each issue.  The magazine signed exclusive contracts with seven of Paris's top couture houses (Cheruit, Doeuillet, Doucet, Paquin, Poiret, Redfern, and Worth) so that the designers'  fashions were shown only in the pages of the Gazette.  An annual subscription was 100 francs, the equivalent of over $400 today.   
	]]>
   </summary>
   <content type="html">
    
       <![CDATA[ 
		
     

        
        <br/>Paris.

        <br/>Price: $145.00
       
	]]>
   </content>
 </entry>

 <entry>
   <title>
	<![CDATA[
	La Fleur D'Or.
	]]>	
   </title>
   <link href="http://www.antipodean.com/cgi-bin/antipodean/17914"/>
   <id>urn:uuid:1225c695-cfb8-4ebb-aaaa-80da344efa6a33</id>
   <updated>2013-05-22T15:53:17Z</updated>
   <summary type="html">
      
	<![CDATA[ 
		Lithograph print  with pouchoir color, an intensive process that uses stencils to apply the vibrant color.   7 1/4 x 9 1/2".   The "Gazette du Bon Ton" was a leading fashion magazine published from 1912 to 1925, the highlight of which were 10 colored plates in each issue.  The magazine signed exclusive contracts with seven of Paris's top couture houses (Cheruit, Doeuillet, Doucet, Paquin, Poiret, Redfern, and Worth) so that the designers'  fashions were shown only in the pages of the Gazette.  An annual subscription was 100 francs, the equivalent of over $400 today.   
	]]>
   </summary>
   <content type="html">
    
       <![CDATA[ 
		
     

        
        <br/>Paris.

        <br/>Price: $145.00
       
	]]>
   </content>
 </entry>

 <entry>
   <title>
	<![CDATA[
	La Promenade a Montmartre.
	]]>	
   </title>
   <link href="http://www.antipodean.com/cgi-bin/antipodean/17915"/>
   <id>urn:uuid:1225c695-cfb8-4ebb-aaaa-80da344efa6a34</id>
   <updated>2013-05-22T15:53:17Z</updated>
   <summary type="html">
      
	<![CDATA[ 
		Lithograph print  with pouchoir color, an intensive process that uses stencils to apply the vibrant color.   7 1/4 x 9 1/2".   The "Gazette du Bon Ton" was a leading fashion magazine published from 1912 to 1925, the highlight of which were 10 colored plates in each issue.  The magazine signed exclusive contracts with seven of Paris's top couture houses (Cheruit, Doeuillet, Doucet, Paquin, Poiret, Redfern, and Worth) so that the designers'  fashions were shown only in the pages of the Gazette.  An annual subscription was 100 francs, the equivalent of over $400 today.   
	]]>
   </summary>
   <content type="html">
    
       <![CDATA[ 
		
     

        
        <br/>Paris.

        <br/>Price: $145.00
       
	]]>
   </content>
 </entry>

 <entry>
   <title>
	<![CDATA[
	Psyche.
	]]>	
   </title>
   <link href="http://www.antipodean.com/cgi-bin/antipodean/17916"/>
   <id>urn:uuid:1225c695-cfb8-4ebb-aaaa-80da344efa6a35</id>
   <updated>2013-05-22T15:53:17Z</updated>
   <summary type="html">
      
	<![CDATA[ 
		Lithograph print  with pouchoir color, an intensive process that uses stencils to apply the vibrant color.   7 1/4 x 9 1/2".   The "Gazette du Bon Ton" was a leading fashion magazine published from 1912 to 1925, the highlight of which were 10 colored plates in each issue.  The magazine signed exclusive contracts with seven of Paris's top couture houses (Cheruit, Doeuillet, Doucet, Paquin, Poiret, Redfern, and Worth) so that the designers'  fashions were shown only in the pages of the Gazette.  An annual subscription was 100 francs, the equivalent of over $400 today.   
	]]>
   </summary>
   <content type="html">
    
       <![CDATA[ 
		
     

        
        <br/>Paris.

        <br/>Price: $145.00
       
	]]>
   </content>
 </entry>

 <entry>
   <title>
	<![CDATA[
	L'Oiseau D'Argent.
	]]>	
   </title>
   <link href="http://www.antipodean.com/cgi-bin/antipodean/17917"/>
   <id>urn:uuid:1225c695-cfb8-4ebb-aaaa-80da344efa6a36</id>
   <updated>2013-05-22T15:53:17Z</updated>
   <summary type="html">
      
	<![CDATA[ 
		Lithograph print  with pouchoir color, an intensive process that uses stencils to apply the vibrant color.   7 1/4 x 9 1/2".   The "Gazette du Bon Ton" was a leading fashion magazine published from 1912 to 1925, the highlight of which were 10 colored plates in each issue.  The magazine signed exclusive contracts with seven of Paris's top couture houses (Cheruit, Doeuillet, Doucet, Paquin, Poiret, Redfern, and Worth) so that the designers'  fashions were shown only in the pages of the Gazette.  An annual subscription was 100 francs, the equivalent of over $400 today.   
	]]>
   </summary>
   <content type="html">
    
       <![CDATA[ 
		
     

        
        <br/>Paris.

        <br/>Price: $145.00
       
	]]>
   </content>
 </entry>

 <entry>
   <title>
	<![CDATA[
	Eveil.
	]]>	
   </title>
   <link href="http://www.antipodean.com/cgi-bin/antipodean/17918"/>
   <id>urn:uuid:1225c695-cfb8-4ebb-aaaa-80da344efa6a37</id>
   <updated>2013-05-22T15:53:17Z</updated>
   <summary type="html">
      
	<![CDATA[ 
		Lithograph print  with pouchoir color, an intensive process that uses stencils to apply the vibrant color.   7 1/4 x 9 1/2".   The "Gazette du Bon Ton" was a leading fashion magazine published from 1912 to 1925, the highlight of which were 10 colored plates in each issue.  The magazine signed exclusive contracts with seven of Paris's top couture houses (Cheruit, Doeuillet, Doucet, Paquin, Poiret, Redfern, and Worth) so that the designers'  fashions were shown only in the pages of the Gazette.  An annual subscription was 100 francs, the equivalent of over $400 today.   
	]]>
   </summary>
   <content type="html">
    
       <![CDATA[ 
		
     

        
        <br/>Paris.

        <br/>Price: $145.00
       
	]]>
   </content>
 </entry>

 <entry>
   <title>
	<![CDATA[
	Mirage.
	]]>	
   </title>
   <link href="http://www.antipodean.com/cgi-bin/antipodean/17919"/>
   <id>urn:uuid:1225c695-cfb8-4ebb-aaaa-80da344efa6a38</id>
   <updated>2013-05-22T15:53:17Z</updated>
   <summary type="html">
      
	<![CDATA[ 
		Lithograph print  with pouchoir color, an intensive process that uses stencils to apply the vibrant color.   7 1/4 x 9 1/2".   The "Gazette du Bon Ton" was a leading fashion magazine published from 1912 to 1925, the highlight of which were 10 colored plates in each issue.  The magazine signed exclusive contracts with seven of Paris's top couture houses (Cheruit, Doeuillet, Doucet, Paquin, Poiret, Redfern, and Worth) so that the designers'  fashions were shown only in the pages of the Gazette.  An annual subscription was 100 francs, the equivalent of over $400 today.   
	]]>
   </summary>
   <content type="html">
    
       <![CDATA[ 
		
     

        
        <br/>Paris.

        <br/>Price: $145.00
       
	]]>
   </content>
 </entry>

 <entry>
   <title>
	<![CDATA[
	Le Diner Au Chateau.
	]]>	
   </title>
   <link href="http://www.antipodean.com/cgi-bin/antipodean/17920"/>
   <id>urn:uuid:1225c695-cfb8-4ebb-aaaa-80da344efa6a39</id>
   <updated>2013-05-22T15:53:17Z</updated>
   <summary type="html">
      
	<![CDATA[ 
		Lithograph print  with pouchoir color, an intensive process that uses stencils to apply the vibrant color.   7 1/4 x 9 1/2".   The "Gazette du Bon Ton" was a leading fashion magazine published from 1912 to 1925, the highlight of which were 10 colored plates in each issue.  The magazine signed exclusive contracts with seven of Paris's top couture houses (Cheruit, Doeuillet, Doucet, Paquin, Poiret, Redfern, and Worth) so that the designers'  fashions were shown only in the pages of the Gazette.  An annual subscription was 100 francs, the equivalent of over $400 today.   
	]]>
   </summary>
   <content type="html">
    
       <![CDATA[ 
		
     

        
        <br/>Paris.

        <br/>Price: $145.00
       
	]]>
   </content>
 </entry>

 <entry>
   <title>
	<![CDATA[
	La Promenade du Palais-Royal.
	]]>	
   </title>
   <link href="http://www.antipodean.com/cgi-bin/antipodean/17921"/>
   <id>urn:uuid:1225c695-cfb8-4ebb-aaaa-80da344efa6a40</id>
   <updated>2013-05-22T15:53:17Z</updated>
   <summary type="html">
      
	<![CDATA[ 
		Lithograph print  with pouchoir color, an intensive process that uses stencils to apply the vibrant color.   7 1/4 x 9 1/2".   The "Gazette du Bon Ton" was a leading fashion magazine published from 1912 to 1925, the highlight of which were 10 colored plates in each issue.  The magazine signed exclusive contracts with seven of Paris's top couture houses (Cheruit, Doeuillet, Doucet, Paquin, Poiret, Redfern, and Worth) so that the designers'  fashions were shown only in the pages of the Gazette.  An annual subscription was 100 francs, the equivalent of over $400 today.   
	]]>
   </summary>
   <content type="html">
    
       <![CDATA[ 
		
     

        
        <br/>Paris.

        <br/>Price: $145.00
       
	]]>
   </content>
 </entry>

 <entry>
   <title>
	<![CDATA[
	Au Loup!
	]]>	
   </title>
   <link href="http://www.antipodean.com/cgi-bin/antipodean/17922"/>
   <id>urn:uuid:1225c695-cfb8-4ebb-aaaa-80da344efa6a41</id>
   <updated>2013-05-22T15:53:17Z</updated>
   <summary type="html">
      
	<![CDATA[ 
		Lithograph print  with pouchoir color, an intensive process that uses stencils to apply the vibrant color.   7 1/4 x 9 1/2".   The "Gazette du Bon Ton" was a leading fashion magazine published from 1912 to 1925, the highlight of which were 10 colored plates in each issue.  The magazine signed exclusive contracts with seven of Paris's top couture houses (Cheruit, Doeuillet, Doucet, Paquin, Poiret, Redfern, and Worth) so that the designers'  fashions were shown only in the pages of the Gazette.  An annual subscription was 100 francs, the equivalent of over $400 today.   
	]]>
   </summary>
   <content type="html">
    
       <![CDATA[ 
		
     

        
        <br/>Paris.

        <br/>Price: $145.00
       
	]]>
   </content>
 </entry>

 <entry>
   <title>
	<![CDATA[
	Tanagra.
	]]>	
   </title>
   <link href="http://www.antipodean.com/cgi-bin/antipodean/17923"/>
   <id>urn:uuid:1225c695-cfb8-4ebb-aaaa-80da344efa6a42</id>
   <updated>2013-05-22T15:53:17Z</updated>
   <summary type="html">
      
	<![CDATA[ 
		Lithograph print  with pouchoir color, an intensive process that uses stencils to apply the vibrant color.   7 1/4 x 9 1/2".   The "Gazette du Bon Ton" was a leading fashion magazine published from 1912 to 1925, the highlight of which were 10 colored plates in each issue.  The magazine signed exclusive contracts with seven of Paris's top couture houses (Cheruit, Doeuillet, Doucet, Paquin, Poiret, Redfern, and Worth) so that the designers'  fashions were shown only in the pages of the Gazette.  An annual subscription was 100 francs, the equivalent of over $400 today.   
	]]>
   </summary>
   <content type="html">
    
       <![CDATA[ 
		
     

        
        <br/>Paris.

        <br/>Price: $145.00
       
	]]>
   </content>
 </entry>

 <entry>
   <title>
	<![CDATA[
	La Loge D'Opera.
	]]>	
   </title>
   <link href="http://www.antipodean.com/cgi-bin/antipodean/17924"/>
   <id>urn:uuid:1225c695-cfb8-4ebb-aaaa-80da344efa6a43</id>
   <updated>2013-05-22T15:53:17Z</updated>
   <summary type="html">
      
	<![CDATA[ 
		Lithograph print  with pouchoir color, an intensive process that uses stencils to apply the vibrant color.   7 1/4 x 9 1/2".   The "Gazette du Bon Ton" was a leading fashion magazine published from 1912 to 1925, the highlight of which were 10 colored plates in each issue.  The magazine signed exclusive contracts with seven of Paris's top couture houses (Cheruit, Doeuillet, Doucet, Paquin, Poiret, Redfern, and Worth) so that the designers'  fashions were shown only in the pages of the Gazette.  An annual subscription was 100 francs, the equivalent of over $400 today.   
	]]>
   </summary>
   <content type="html">
    
       <![CDATA[ 
		
     

        
        <br/>Paris.

        <br/>Price: $145.00
       
	]]>
   </content>
 </entry>

 <entry>
   <title>
	<![CDATA[
	Viendra-T-Il?
	]]>	
   </title>
   <link href="http://www.antipodean.com/cgi-bin/antipodean/17925"/>
   <id>urn:uuid:1225c695-cfb8-4ebb-aaaa-80da344efa6a44</id>
   <updated>2013-05-22T15:53:17Z</updated>
   <summary type="html">
      
	<![CDATA[ 
		Lithograph print  with pouchoir color, an intensive process that uses stencils to apply the vibrant color.   7 1/4 x 9 1/2".   The "Gazette du Bon Ton" was a leading fashion magazine published from 1912 to 1925, the highlight of which were 10 colored plates in each issue.  The magazine signed exclusive contracts with seven of Paris's top couture houses (Cheruit, Doeuillet, Doucet, Paquin, Poiret, Redfern, and Worth) so that the designers'  fashions were shown only in the pages of the Gazette.  An annual subscription was 100 francs, the equivalent of over $400 today.   
	]]>
   </summary>
   <content type="html">
    
       <![CDATA[ 
		
     

        
        <br/>Paris.

        <br/>Price: $145.00
       
	]]>
   </content>
 </entry>

 <entry>
   <title>
	<![CDATA[
	Verre de Venise.
	]]>	
   </title>
   <link href="http://www.antipodean.com/cgi-bin/antipodean/17926"/>
   <id>urn:uuid:1225c695-cfb8-4ebb-aaaa-80da344efa6a45</id>
   <updated>2013-05-22T15:53:17Z</updated>
   <summary type="html">
      
	<![CDATA[ 
		Lithograph print  with pouchoir color, an intensive process that uses stencils to apply the vibrant color.   7 1/4 x 9 1/2".   The "Gazette du Bon Ton" was a leading fashion magazine published from 1912 to 1925, the highlight of which were 10 colored plates in each issue.  The magazine signed exclusive contracts with seven of Paris's top couture houses (Cheruit, Doeuillet, Doucet, Paquin, Poiret, Redfern, and Worth) so that the designers'  fashions were shown only in the pages of the Gazette.  An annual subscription was 100 francs, the equivalent of over $400 today.   
	]]>
   </summary>
   <content type="html">
    
       <![CDATA[ 
		
     

        
        <br/>Paris.

        <br/>Price: $145.00
       
	]]>
   </content>
 </entry>

 <entry>
   <title>
	<![CDATA[
	De Ceci?
	]]>	
   </title>
   <link href="http://www.antipodean.com/cgi-bin/antipodean/17927"/>
   <id>urn:uuid:1225c695-cfb8-4ebb-aaaa-80da344efa6a46</id>
   <updated>2013-05-22T15:53:17Z</updated>
   <summary type="html">
      
	<![CDATA[ 
		Lithograph print  with pouchoir color, an intensive process that uses stencils to apply the vibrant color.   7 1/4 x 9 1/2".   The "Gazette du Bon Ton" was a leading fashion magazine published from 1912 to 1925, the highlight of which were 10 colored plates in each issue.  The magazine signed exclusive contracts with seven of Paris's top couture houses (Cheruit, Doeuillet, Doucet, Paquin, Poiret, Redfern, and Worth) so that the designers'  fashions were shown only in the pages of the Gazette.  An annual subscription was 100 francs, the equivalent of over $400 today.   
	]]>
   </summary>
   <content type="html">
    
       <![CDATA[ 
		
     

        
        <br/>Paris.

        <br/>Price: $145.00
       
	]]>
   </content>
 </entry>

 <entry>
   <title>
	<![CDATA[
	Apres La Danse.
	]]>	
   </title>
   <link href="http://www.antipodean.com/cgi-bin/antipodean/17928"/>
   <id>urn:uuid:1225c695-cfb8-4ebb-aaaa-80da344efa6a47</id>
   <updated>2013-05-22T15:53:17Z</updated>
   <summary type="html">
      
	<![CDATA[ 
		Lithograph print  with pouchoir color, an intensive process that uses stencils to apply the vibrant color.   7 1/4 x 9 1/2".   The "Gazette du Bon Ton" was a leading fashion magazine published from 1912 to 1925, the highlight of which were 10 colored plates in each issue.  The magazine signed exclusive contracts with seven of Paris's top couture houses (Cheruit, Doeuillet, Doucet, Paquin, Poiret, Redfern, and Worth) so that the designers'  fashions were shown only in the pages of the Gazette.  An annual subscription was 100 francs, the equivalent of over $400 today.   
	]]>
   </summary>
   <content type="html">
    
       <![CDATA[ 
		
     

        
        <br/>Paris.

        <br/>Price: $145.00
       
	]]>
   </content>
 </entry>

 <entry>
   <title>
	<![CDATA[
	L'Averse Intempestive.
	]]>	
   </title>
   <link href="http://www.antipodean.com/cgi-bin/antipodean/17929"/>
   <id>urn:uuid:1225c695-cfb8-4ebb-aaaa-80da344efa6a48</id>
   <updated>2013-05-22T15:53:17Z</updated>
   <summary type="html">
      
	<![CDATA[ 
		Lithograph print  with pouchoir color, an intensive process that uses stencils to apply the vibrant color.   7 1/4 x 9 1/2".   The "Gazette du Bon Ton" was a leading fashion magazine published from 1912 to 1925, the highlight of which were 10 colored plates in each issue.  The magazine signed exclusive contracts with seven of Paris's top couture houses (Cheruit, Doeuillet, Doucet, Paquin, Poiret, Redfern, and Worth) so that the designers'  fashions were shown only in the pages of the Gazette.  An annual subscription was 100 francs, the equivalent of over $400 today.   
	]]>
   </summary>
   <content type="html">
    
       <![CDATA[ 
		
     

        
        <br/>Paris.

        <br/>Price: $175.00
       
	]]>
   </content>
 </entry>

 <entry>
   <title>
	<![CDATA[
	Jouerai-je?
	]]>	
   </title>
   <link href="http://www.antipodean.com/cgi-bin/antipodean/17930"/>
   <id>urn:uuid:1225c695-cfb8-4ebb-aaaa-80da344efa6a49</id>
   <updated>2013-05-22T15:53:17Z</updated>
   <summary type="html">
      
	<![CDATA[ 
		Lithograph print  with pouchoir color, an intensive process that uses stencils to apply the vibrant color.   7 1/4 x 9 1/2".   The "Gazette du Bon Ton" was a leading fashion magazine published from 1912 to 1925, the highlight of which were 10 colored plates in each issue.  The magazine signed exclusive contracts with seven of Paris's top couture houses (Cheruit, Doeuillet, Doucet, Paquin, Poiret, Redfern, and Worth) so that the designers'  fashions were shown only in the pages of the Gazette.  An annual subscription was 100 francs, the equivalent of over $400 today.   
	]]>
   </summary>
   <content type="html">
    
       <![CDATA[ 
		
     

        
        <br/>Paris.

        <br/>Price: $145.00
       
	]]>
   </content>
 </entry>

 <entry>
   <title>
	<![CDATA[
	Hop La!
	]]>	
   </title>
   <link href="http://www.antipodean.com/cgi-bin/antipodean/17931"/>
   <id>urn:uuid:1225c695-cfb8-4ebb-aaaa-80da344efa6a50</id>
   <updated>2013-05-22T15:53:17Z</updated>
   <summary type="html">
      
	<![CDATA[ 
		Lithograph print  with pouchoir color, an intensive process that uses stencils to apply the vibrant color.   7 1/4 x 9 1/2".   The "Gazette du Bon Ton" was a leading fashion magazine published from 1912 to 1925, the highlight of which were 10 colored plates in each issue.  The magazine signed exclusive contracts with seven of Paris's top couture houses (Cheruit, Doeuillet, Doucet, Paquin, Poiret, Redfern, and Worth) so that the designers'  fashions were shown only in the pages of the Gazette.  An annual subscription was 100 francs, the equivalent of over $400 today.   
	]]>
   </summary>
   <content type="html">
    
       <![CDATA[ 
		
     

        
        <br/>Paris.

        <br/>Price: $145.00
       
	]]>
   </content>
 </entry>

 <entry>
   <title>
	<![CDATA[
	Brise du Large.
	]]>	
   </title>
   <link href="http://www.antipodean.com/cgi-bin/antipodean/17932"/>
   <id>urn:uuid:1225c695-cfb8-4ebb-aaaa-80da344efa6a51</id>
   <updated>2013-05-22T15:53:17Z</updated>
   <summary type="html">
      
	<![CDATA[ 
		Lithograph print  with pouchoir color, an intensive process that uses stencils to apply the vibrant color.   7 1/4 x 9 1/2".   The "Gazette du Bon Ton" was a leading fashion magazine published from 1912 to 1925, the highlight of which were 10 colored plates in each issue.  The magazine signed exclusive contracts with seven of Paris's top couture houses (Cheruit, Doeuillet, Doucet, Paquin, Poiret, Redfern, and Worth) so that the designers'  fashions were shown only in the pages of the Gazette.  An annual subscription was 100 francs, the equivalent of over $400 today.   
	]]>
   </summary>
   <content type="html">
    
       <![CDATA[ 
		
     

        
        <br/>Paris.

        <br/>Price: $145.00
       
	]]>
   </content>
 </entry>

 <entry>
   <title>
	<![CDATA[
	Ils Ne M'ont Pas Reconnue.
	]]>	
   </title>
   <link href="http://www.antipodean.com/cgi-bin/antipodean/17933"/>
   <id>urn:uuid:1225c695-cfb8-4ebb-aaaa-80da344efa6a52</id>
   <updated>2013-05-22T15:53:17Z</updated>
   <summary type="html">
      
	<![CDATA[ 
		Lithograph print  with pouchoir color, an intensive process that uses stencils to apply the vibrant color.   7 1/4 x 9 1/2".   The "Gazette du Bon Ton" was a leading fashion magazine published from 1912 to 1925, the highlight of which were 10 colored plates in each issue.  The magazine signed exclusive contracts with seven of Paris's top couture houses (Cheruit, Doeuillet, Doucet, Paquin, Poiret, Redfern, and Worth) so that the designers'  fashions were shown only in the pages of the Gazette.  An annual subscription was 100 francs, the equivalent of over $400 today.   
	]]>
   </summary>
   <content type="html">
    
       <![CDATA[ 
		
     

        
        <br/>Paris.

        <br/>Price: $145.00
       
	]]>
   </content>
 </entry>

 <entry>
   <title>
	<![CDATA[
	Beaulieu Dans Les Fleurs.
	]]>	
   </title>
   <link href="http://www.antipodean.com/cgi-bin/antipodean/17934"/>
   <id>urn:uuid:1225c695-cfb8-4ebb-aaaa-80da344efa6a53</id>
   <updated>2013-05-22T15:53:17Z</updated>
   <summary type="html">
      
	<![CDATA[ 
		Lithograph print  with pouchoir color, an intensive process that uses stencils to apply the vibrant color.   11 x 17 1/2".   The "Gazette du Bon Ton" was a leading fashion magazine published from 1912 to 1925, the highlight of which were 10 colored plates in each issue.  The magazine signed exclusive contracts with seven of Paris's top couture houses (Cheruit, Doeuillet, Doucet, Paquin, Poiret, Redfern, and Worth) so that the designers'  fashions were shown only in the pages of the Gazette.  An annual subscription was 100 francs, the equivalent of over $400 today.   
	]]>
   </summary>
   <content type="html">
    
       <![CDATA[ 
		
     

        
        <br/>Paris.

        <br/>Price: $200.00
       
	]]>
   </content>
 </entry>

 <entry>
   <title>
	<![CDATA[
	Le Tombeau des Secrets.
	]]>	
   </title>
   <link href="http://www.antipodean.com/cgi-bin/antipodean/17935"/>
   <id>urn:uuid:1225c695-cfb8-4ebb-aaaa-80da344efa6a54</id>
   <updated>2013-05-22T15:53:17Z</updated>
   <summary type="html">
      
	<![CDATA[ 
		Lithograph print  with pouchoir color, an intensive process that uses stencils to apply the vibrant color.   7 1/4 x 9 1/2".   The "Gazette du Bon Ton" was a leading fashion magazine published from 1912 to 1925, the highlight of which were 10 colored plates in each issue.  The magazine signed exclusive contracts with seven of Paris's top couture houses (Cheruit, Doeuillet, Doucet, Paquin, Poiret, Redfern, and Worth) so that the designers'  fashions were shown only in the pages of the Gazette.  An annual subscription was 100 francs, the equivalent of over $400 today.   
	]]>
   </summary>
   <content type="html">
    
       <![CDATA[ 
		
     

        
        <br/>Paris.

        <br/>Price: $175.00
       
	]]>
   </content>
 </entry>

 <entry>
   <title>
	<![CDATA[
	Fumee.
	]]>	
   </title>
   <link href="http://www.antipodean.com/cgi-bin/antipodean/17936"/>
   <id>urn:uuid:1225c695-cfb8-4ebb-aaaa-80da344efa6a55</id>
   <updated>2013-05-22T15:53:17Z</updated>
   <summary type="html">
      
	<![CDATA[ 
		Lithograph print  with pouchoir color, an intensive process that uses stencils to apply the vibrant color.   7 1/4 x 9 1/2".   The "Gazette du Bon Ton" was a leading fashion magazine published from 1912 to 1925, the highlight of which were 10 colored plates in each issue.  The magazine signed exclusive contracts with seven of Paris's top couture houses (Cheruit, Doeuillet, Doucet, Paquin, Poiret, Redfern, and Worth) so that the designers'  fashions were shown only in the pages of the Gazette.  An annual subscription was 100 francs, the equivalent of over $400 today.   
	]]>
   </summary>
   <content type="html">
    
       <![CDATA[ 
		
     

        
        <br/>Paris.

        <br/>Price: $175.00
       
	]]>
   </content>
 </entry>

 <entry>
   <title>
	<![CDATA[
	Pavane.
	]]>	
   </title>
   <link href="http://www.antipodean.com/cgi-bin/antipodean/17937"/>
   <id>urn:uuid:1225c695-cfb8-4ebb-aaaa-80da344efa6a56</id>
   <updated>2013-05-22T15:53:17Z</updated>
   <summary type="html">
      
	<![CDATA[ 
		Lithograph print  with pouchoir color, an intensive process that uses stencils to apply the vibrant color.   7 1/4 x 9 1/2".   The "Gazette du Bon Ton" was a leading fashion magazine published from 1912 to 1925, the highlight of which were 10 colored plates in each issue.  The magazine signed exclusive contracts with seven of Paris's top couture houses (Cheruit, Doeuillet, Doucet, Paquin, Poiret, Redfern, and Worth) so that the designers'  fashions were shown only in the pages of the Gazette.  An annual subscription was 100 francs, the equivalent of over $400 today.   
	]]>
   </summary>
   <content type="html">
    
       <![CDATA[ 
		
     

        
        <br/>Paris.

        <br/>Price: $175.00
       
	]]>
   </content>
 </entry>

 <entry>
   <title>
	<![CDATA[
	La Premiere Imprudence.
	]]>	
   </title>
   <link href="http://www.antipodean.com/cgi-bin/antipodean/17938"/>
   <id>urn:uuid:1225c695-cfb8-4ebb-aaaa-80da344efa6a57</id>
   <updated>2013-05-22T15:53:17Z</updated>
   <summary type="html">
      
	<![CDATA[ 
		Lithograph print  with pouchoir color, an intensive process that uses stencils to apply the vibrant color.   7 1/4 x 9 1/2".   The "Gazette du Bon Ton" was a leading fashion magazine published from 1912 to 1925, the highlight of which were 10 colored plates in each issue.  The magazine signed exclusive contracts with seven of Paris's top couture houses (Cheruit, Doeuillet, Doucet, Paquin, Poiret, Redfern, and Worth) so that the designers'  fashions were shown only in the pages of the Gazette.  An annual subscription was 100 francs, the equivalent of over $400 today.   
	]]>
   </summary>
   <content type="html">
    
       <![CDATA[ 
		
     

        
        <br/>Paris.

        <br/>Price: $175.00
       
	]]>
   </content>
 </entry>

 <entry>
   <title>
	<![CDATA[
	Adieu!
	]]>	
   </title>
   <link href="http://www.antipodean.com/cgi-bin/antipodean/17939"/>
   <id>urn:uuid:1225c695-cfb8-4ebb-aaaa-80da344efa6a58</id>
   <updated>2013-05-22T15:53:17Z</updated>
   <summary type="html">
      
	<![CDATA[ 
		Lithograph print  with pouchoir color, an intensive process that uses stencils to apply the vibrant color.   7 1/4 x 9 1/2".   The "Gazette du Bon Ton" was a leading fashion magazine published from 1912 to 1925, the highlight of which were 10 colored plates in each issue.  The magazine signed exclusive contracts with seven of Paris's top couture houses (Cheruit, Doeuillet, Doucet, Paquin, Poiret, Redfern, and Worth) so that the designers'  fashions were shown only in the pages of the Gazette.  An annual subscription was 100 francs, the equivalent of over $400 today.   
	]]>
   </summary>
   <content type="html">
    
       <![CDATA[ 
		
     

        
        <br/>Paris.

        <br/>Price: $145.00
       
	]]>
   </content>
 </entry>

 <entry>
   <title>
	<![CDATA[
	La Voie Lactee.
	]]>	
   </title>
   <link href="http://www.antipodean.com/cgi-bin/antipodean/17940"/>
   <id>urn:uuid:1225c695-cfb8-4ebb-aaaa-80da344efa6a59</id>
   <updated>2013-05-22T15:53:17Z</updated>
   <summary type="html">
      
	<![CDATA[ 
		Lithograph print  with pouchoir color, an intensive process that uses stencils to apply the vibrant color.   7 1/4 x 9 1/2".   The "Gazette du Bon Ton" was a leading fashion magazine published from 1912 to 1925, the highlight of which were 10 colored plates in each issue.  The magazine signed exclusive contracts with seven of Paris's top couture houses (Cheruit, Doeuillet, Doucet, Paquin, Poiret, Redfern, and Worth) so that the designers'  fashions were shown only in the pages of the Gazette.  An annual subscription was 100 francs, the equivalent of over $400 today.   
	]]>
   </summary>
   <content type="html">
    
       <![CDATA[ 
		
     

        
        <br/>Paris.

        <br/>Price: $175.00
       
	]]>
   </content>
 </entry>

 <entry>
   <title>
	<![CDATA[
	Plates from "Mayhew's Great Exhibition of 1851" - Mayhew, Henry.  George Cruikshank.
	]]>	
   </title>
   <link href="http://www.antipodean.com/cgi-bin/antipodean/17617"/>
   <id>urn:uuid:1225c695-cfb8-4ebb-aaaa-80da344efa6a60</id>
   <updated>2013-05-22T15:53:17Z</updated>
   <summary type="html">
      
	<![CDATA[ 
		The 11 plates which comprise the total number of plates issued with this most humorous depiction of London at the time of the Great Exhibition, the first world-wide exhibition.   The leaves of plates were laid into a covering (portfolio? sleeve?) lacking here.   See OCLC: 2747350 & 220397735 for the plates with wrapper.  The plates include: The Opening of the Great Industrial Exhibition of All Nations; The Dispersion of the Works of all Nations from the Great Exhibition of 1851; Odds & Ends, in, out, & about, The Great Exhibition of 1851; Some of the Drolleries of the Great Exhibtion of 1851; The first Shilling-day - going in...; The first Shilling-day - coming out...; The Opera Boxes, during the time of the Great Exhibition!; Manchester in 1851; London, in 1851; Looking for Lodgings; All the World going to See the Great Exhibition of 1851.  Plates are oblong 4to, the paper measuring 32 x 50 cm.  Very slightly toned. 
	]]>
   </summary>
   <content type="html">
    
       <![CDATA[ 
		
     <br/>Mayhew, Henry.  George Cruikshank.

        
        <br/>London:David Bogue,1851.

        <br/>Price: $1,250.00
       
	]]>
   </content>
 </entry>

 <entry>
   <title>
	<![CDATA[
	Proof plate, "The first Shilling-day - going in: and "The first Shilling-day coming out...",  illustration from "1851 or, The adventures of Mr. and Mrs. Sandboys and family: who came up to London to 'enjoy themselves,' and to see the Great Exhibition" - Cruikshank, George.
	]]>	
   </title>
   <link href="http://www.antipodean.com/cgi-bin/antipodean/17620"/>
   <id>urn:uuid:1225c695-cfb8-4ebb-aaaa-80da344efa6a61</id>
   <updated>2013-05-22T15:53:17Z</updated>
   <summary type="html">
      
	<![CDATA[ 
		A proof plate inscribed by the artist  "To George Miles with the regards of George Cruikshank" along the left hand border.  23 x 30 cm (platemark) on paper 26 x 34.5, trimmed to the plate mark on the right edge.  A little dusty.  Douglas 254.  (The Works of George Cruikshank: Classified and Arranged with References to Reid's Catalogue and Their Approximate Values (1903) by Richard Douglas.) 
	]]>
   </summary>
   <content type="html">
    
       <![CDATA[ 
		
     <br/>Cruikshank, George.

        
        <br/>London:David Bogue,1851.

        <br/>Price: $1,500.00
       
	]]>
   </content>
 </entry>

 <entry>
   <title>
	<![CDATA[
	Proof plate, " Manchester in 1851." (&) London in 1851.",  illustrations from "1851 or, The adventures of Mr. and Mrs. Sandboys and family :who came up to London to 'enjoy themselves,' and to see the Great Exhibition" - Cruikshank, George.
	]]>	
   </title>
   <link href="http://www.antipodean.com/cgi-bin/antipodean/17621"/>
   <id>urn:uuid:1225c695-cfb8-4ebb-aaaa-80da344efa6a62</id>
   <updated>2013-05-22T15:53:17Z</updated>
   <summary type="html">
      
	<![CDATA[ 
		A proof plate inscribed by the artist  "To George Mills - with the best regards of George Cruikshank".  With his typical humor, Cruikshank depicts the deserted streets of Manchester above the minutely depicted throngs blocking the London streets at Regent St.  All manor of people and carriages jam the streets, with people filling the balconies above the streets as well.  A small sign says "Pray Go Back! All the Roads leading to ye Exhibition are Blocked Up!".  29 x 64 cm (platemark) on paper 34 x 49 cm.  Small closed tear in the bottom margin otherwise very good condition.  Douglas 254.  (The Works of George Cruikshank: Classified and Arranged with References to Reid's Catalogue and Their Approximate Values (1903) by Richard Douglas.) 
	]]>
   </summary>
   <content type="html">
    
       <![CDATA[ 
		
     <br/>Cruikshank, George.

        
        <br/>London:David Bogue,1851.

        <br/>Price: $1,500.00
       
	]]>
   </content>
 </entry>

 <entry>
   <title>
	<![CDATA[
	Proof plate, "The Opening of the Great Hive of the World May 1 1851 or the Industrial Exhibition of All Nations",  illustration from "1851 or, The adventures of Mr. and Mrs. Sandboys and family: who came up to London to 'enjoy themselves,' and to see the - Cruikshank, George.
	]]>	
   </title>
   <link href="http://www.antipodean.com/cgi-bin/antipodean/17622"/>
   <id>urn:uuid:1225c695-cfb8-4ebb-aaaa-80da344efa6a63</id>
   <updated>2013-05-22T15:53:17Z</updated>
   <summary type="html">
      
	<![CDATA[ 
		A proof plate on india paper.   This busy view shows the pavilion as a "beehive shape, with the throngs watching the King and Queen move towards the entrance.  The title appears in a banner which extends across the top of the sky.  The backing paper is a little foxed, mostly on the verso, and there is a small marginal  crescent shaped mark on the right edge, just touching the india paper. India paper 44.5 x 21.5 on paper with a slightly larger platemark, and paper 48.5 x 26.5 cm.  Douglas 254.  (The Works of George Cruikshank: Classified and Arranged with References to Reid's Catalogue and Their Approximate Values (1903) by Richard Douglas.)   
	]]>
   </summary>
   <content type="html">
    
       <![CDATA[ 
		
     <br/>Cruikshank, George.

        
        <br/>London:David Bogue,1851.

        <br/>Price: $1,250.00
       
	]]>
   </content>
 </entry>

 <entry>
   <title>
	<![CDATA[
	Proof plate, "The first Shilling-day - going in... (&) The first Shilling-day - coming out...",  illustration from "1851 or, The adventures of Mr. and Mrs. Sandboys and family: who came up to London to 'enjoy themselves,' and to see the Great Exhibition" - Cruikshank, George.
	]]>	
   </title>
   <link href="http://www.antipodean.com/cgi-bin/antipodean/17623"/>
   <id>urn:uuid:1225c695-cfb8-4ebb-aaaa-80da344efa6a64</id>
   <updated>2013-05-22T15:53:17Z</updated>
   <summary type="html">
      
	<![CDATA[ 
		A proof plate on india paper.   "Going in" shows the crush of the lower class, rushing the gates to enter the exhibition, leaving behind boots, hats, umbrellas, coats and such, all lost in the melee.  "Coming out" shows the crowds smiling and satisfied at their great adventure, re-finding their lost clothing.  The backing paper is a little foxed, with a watermark on the lower outer margin, and with a couple of closed tears in the margins.  mostly on the verso, and there is a small marginal  crescent shaped mark on the right edge, just touching the india paper. India paper 21.5 x 28.5 on paper with a slightly larger platemark, and paper 44 x 59 cm.  Douglas 254.  (The Works of George Cruikshank: Classified and Arranged with References to Reid's Catalogue and Their Approximate Values (1903) by Richard Douglas.)   
	]]>
   </summary>
   <content type="html">
    
       <![CDATA[ 
		
     <br/>Cruikshank, George.

        
        <br/>London:David Bogue,1851.

        <br/>Price: $750.00
       
	]]>
   </content>
 </entry>

 <entry>
   <title>
	<![CDATA[
	The Opening of the Great Industrial Exhibition of all Nations, By Her Most Gracious Majesty Queen Victoria and His Royal Highness Prince Albert, on the 1st of May, 1851. - Cruikshank, George .
	]]>	
   </title>
   <link href="http://www.antipodean.com/cgi-bin/antipodean/13899"/>
   <id>urn:uuid:1225c695-cfb8-4ebb-aaaa-80da344efa6a65</id>
   <updated>2013-05-22T15:53:17Z</updated>
   <summary type="html">
      
	<![CDATA[ 
		A proof plate taken from a sketch made on the spot by Cruikshank on the 1st May 1851. The view records the formal opening ceremony, looking down over the floor with the large crowd around  Queen Victoria with the Archbishop offering a prayer of blessing.   The print is inscribed to "J. T. Wilmore ARA with the best regards of George Cruikshank". The countries whose banners are visible include India, Persia, Egypt, Turkey & Greece.  Wilmore was a member of the Royal Academy.   The title continues "The View is taken from the South West Gallery, at the time when the Archbishop is offering up a Prayer for the Divin blessing upon the objects of this Great Exhibition."  44 x 33 cm (platemark) on paper 46 x 37 cm.  Douglas 1433.  (The Works of George Cruikshank: Classified and Arranged with References to Reid's Catalogue and Their Approximate Values (1903) by Richard Douglas.) 
	]]>
   </summary>
   <content type="html">
    
       <![CDATA[ 
		
     <br/>Cruikshank, George .

        
        <br/>London:David Bogue.

        <br/>Price: $2,000.00
       
	]]>
   </content>
 </entry>

 <entry>
   <title>
	<![CDATA[
	Dumbarton Castle. - Cruikshank, George.
	]]>	
   </title>
   <link href="http://www.antipodean.com/cgi-bin/antipodean/13976"/>
   <id>urn:uuid:1225c695-cfb8-4ebb-aaaa-80da344efa6a66</id>
   <updated>2013-05-22T15:53:17Z</updated>
   <summary type="html">
      
	<![CDATA[ 
		Original pencil sketch fully signed by Cruikshank, dated Sept. 8th 1855. The drawing of the Scottish castle is delicately sketched, with the castle visible at the top of the ancient volcanic plug known as Dumbarton Rock.  Dumbarton Castle has the longest recorded history of any stronghold in Great Britain, dating back to the late fifth century.  The masts of ships on the River Clyde are visible in the foreground.  Image size 36.5 x 25.5 cm.  Verso has a sketch of "My system of ventilation", with numbered items, and a note "air passing over the ceiling" written at the upper right.  George Cruikshank (1792 - 1878) was an internationally renowned English caricaturist and book illustrator, who was England's most popular satirist.  Known for his illustrations in the works of Charles Dickens, especially those in Oliver Twist, and for his impartial political satires of  Tories, Whigs and Radicals.  
	]]>
   </summary>
   <content type="html">
    
       <![CDATA[ 
		
     <br/>Cruikshank, George.

        
        

        <br/>Price: $2,000.00
       
	]]>
   </content>
 </entry>

 <entry>
   <title>
	<![CDATA[
	Great Blue Heron.  Ardea Herodias, Male. - &#91;Audubon, John James].
	]]>	
   </title>
   <link href="http://www.antipodean.com/cgi-bin/antipodean/17530"/>
   <id>urn:uuid:1225c695-cfb8-4ebb-aaaa-80da344efa6a67</id>
   <updated>2013-05-22T15:53:17Z</updated>
   <summary type="html">
      
	<![CDATA[ 
		Extremely high quality facsimile giclee prints taken from an original elephant folio edition of Audubon's "Birds of America", sold to one of the original subscribers in 1833, the Teylers Museum in Haarlem, Netherlands.   One of an edition of 250.  The prints are printed on Hahnemuhle white etching paper, 25% rag, which is age resistant.   They are printed using archival ink which resists  fading for up to 100 years.  It is printed in the original size, proofed by the museum's curator,  at an extremely high resolution of 2880 dpi.  26.4 x 39".   The quality far exceeds all other Audubon print reproductions.   
	]]>
   </summary>
   <content type="html">
    
       <![CDATA[ 
		
     <br/>&#91;Audubon, John James].

        
        <br/>Amsterdam:Heritage Editions,2012.

        <br/>Price: $600.00
       
	]]>
   </content>
 </entry>

 <entry>
   <title>
	<![CDATA[
	White Headed Eagle.  Falco Leucocephalus. - &#91;Audubon, John James].
	]]>	
   </title>
   <link href="http://www.antipodean.com/cgi-bin/antipodean/17531"/>
   <id>urn:uuid:1225c695-cfb8-4ebb-aaaa-80da344efa6a68</id>
   <updated>2013-05-22T15:53:17Z</updated>
   <summary type="html">
      
	<![CDATA[ 
		Extremely high quality facsimile giclee prints taken from an original elephant folio edition of Audubon's "Birds of America", sold to one of the original subscribers in 1833, the Teylers Museum in Haarlem, Netherlands.   One of an edition of 250.  The prints are printed on Hahnemuhle white etching paper, 25% rag, which is age resistant.   They are printed using archival ink which resists  fading for up to 100 years.  It is printed in the original size, proofed by the museum's curator,  at an extremely high resolution of 2880 dpi.  26.4 x 39".   The quality far exceeds all other Audubon print reproductions.   
	]]>
   </summary>
   <content type="html">
    
       <![CDATA[ 
		
     <br/>&#91;Audubon, John James].

        
        <br/>Amsterdam:Heritage Editions,2012.

        <br/>Price: $600.00
       
	]]>
   </content>
 </entry>

 <entry>
   <title>
	<![CDATA[
	Wild Turkey, Male.  Meleagris Gallopavo. - &#91;Audubon, John James].
	]]>	
   </title>
   <link href="http://www.antipodean.com/cgi-bin/antipodean/17532"/>
   <id>urn:uuid:1225c695-cfb8-4ebb-aaaa-80da344efa6a69</id>
   <updated>2013-05-22T15:53:17Z</updated>
   <summary type="html">
      
	<![CDATA[ 
		Extremely high quality facsimile giclee prints taken from an original elephant folio edition of Audubon's "Birds of America", sold to one of the original subscribers in 1833, the Teylers Museum in Haarlem, Netherlands.   One of an edition of 250.  The prints are printed on Hahnemuhle white etching paper, 25% rag, which is age resistant.   They are printed using archival ink which resists  fading for up to 100 years.  It is printed in the original size, proofed by the museum's curator,  at an extremely high resolution of 2880 dpi.  26.4 x 39".   The quality far exceeds all other Audubon print reproductions.   
	]]>
   </summary>
   <content type="html">
    
       <![CDATA[ 
		
     <br/>&#91;Audubon, John James].

        
        <br/>Amsterdam:Heritage Editions,2012.

        <br/>Price: $600.00
       
	]]>
   </content>
 </entry>

 <entry>
   <title>
	<![CDATA[
	Wild Turkey, Female & Young.  Meleagris Gallopavo. - &#91;Audubon, John James].
	]]>	
   </title>
   <link href="http://www.antipodean.com/cgi-bin/antipodean/17533"/>
   <id>urn:uuid:1225c695-cfb8-4ebb-aaaa-80da344efa6a70</id>
   <updated>2013-05-22T15:53:17Z</updated>
   <summary type="html">
      
	<![CDATA[ 
		Extremely high quality facsimile giclee prints taken from an original elephant folio edition of Audubon's "Birds of America", sold to one of the original subscribers in 1833, the Teylers Museum in Haarlem, Netherlands.   One of an edition of 250.  The prints are printed on Hahnemuhle white etching paper, 25% rag, which is age resistant.   They are printed using archival ink which resists  fading for up to 100 years.  It is printed in the original size, proofed by the museum's curator,  at an extremely high resolution of 2880 dpi.  26.4 x 39".   The quality far exceeds all other Audubon print reproductions.   
	]]>
   </summary>
   <content type="html">
    
       <![CDATA[ 
		
     <br/>&#91;Audubon, John James].

        
        <br/>Amsterdam:Heritage Editions,2012.

        <br/>Price: $600.00
       
	]]>
   </content>
 </entry>

 <entry>
   <title>
	<![CDATA[
	The Departure - Second Class; The Return - First Class. - Solomon, Abraham.
	]]>	
   </title>
   <link href="http://www.antipodean.com/cgi-bin/antipodean/17454"/>
   <id>urn:uuid:1225c695-cfb8-4ebb-aaaa-80da344efa6a71</id>
   <updated>2013-05-22T15:53:17Z</updated>
   <summary type="html">
      
	<![CDATA[ 
		"The Departure & Second Class"  and "The Return - First Class" are a pair of moralistic narrative works, a popular genre in Victorian times, and demonstrate the growing trend towards emigration, particularly to Australia.  The Victorian artist Abraham Solomon depicts a family traveling second class to a port where the young boy will go to sea in "The Departure". In "The Return" the boy returns as a successful middle aged squatter in the first class carriage with his son and daughter.  Both paintings by Solomon are held in the National Railway Museum UK .  Of  "The Departure" they write "The painting is a contemporary image of rail travel showing the discomfort of the lower classes traveling in a draughty bench-seated second class carriage. Despite their discomfort this shows how the railways opened up travel to the less wealthy as well as those with money. It also shows how the industry allowed travel nationally and internationally, with the posters in the background advertising passage to Australia highlighting the growing trend of emigration. "  (National Railway Museum UK website).  The advertising includes ship departures for Port Phillip and Sydney.Published 4th April 1857.  Engraved by W.H. Simmons.  26 3/4 x 20 3/4" (image & text) on paper 32 1/4 x 25 1/4".  Black & white, as issued.  
	]]>
   </summary>
   <content type="html">
    
       <![CDATA[ 
		
     <br/>Solomon, Abraham.

        
        <br/>London:E. Gambart & Co 25 Berners St.,1857.

        <br/>Price: $6,000.00
       
	]]>
   </content>
 </entry>

 <entry>
   <title>
	<![CDATA[
	American Historical Prints: Early Views of American Cities, Etc. From the Phelps Stokes and Other Collections. - Stokes, I. N.; Haskell, Daniel C.
	]]>	
   </title>
   <link href="http://www.antipodean.com/cgi-bin/antipodean/17463"/>
   <id>urn:uuid:1225c695-cfb8-4ebb-aaaa-80da344efa6a72</id>
   <updated>2013-05-22T15:53:17Z</updated>
   <summary type="html">
      
	<![CDATA[ 
		Landscapes, maps and city views of American cities.   Thick 4to, xxxv, 327pp, many b&w plates and color frontispiece.  With previous owner name in pencil inside front cover.  Publisher's original black gilt cloth, gilt title front cover and spine.  Base of spine gently rubbed. 
	]]>
   </summary>
   <content type="html">
    
       <![CDATA[ 
		
     <br/>Stokes, I. N.; Haskell, Daniel C.

        
        <br/>New York:New York Public Library,1932.

        <br/>Price: $175.00
       
	]]>
   </content>
 </entry>

 <entry>
   <title>
	<![CDATA[
	The Massacre of the Lamented Missionary, the Rev. J. Williams, and Mr. Harris. - Baxter, George .
	]]>	
   </title>
   <link href="http://www.antipodean.com/cgi-bin/antipodean/12570"/>
   <id>urn:uuid:1225c695-cfb8-4ebb-aaaa-80da344efa6a73</id>
   <updated>2013-05-22T15:53:17Z</updated>
   <summary type="html">
      
	<![CDATA[ 
		31.5 X 21.5 cms. Rev. Williams, "the apostle of Polynesia", being attacked by the natives of Erromanga (New Hebrides) with clubs, spears, & bows and arrows. Many exaggerated fearsome natives are attacking Rev. Williams as he falls in the surf, while another group are also attacking a boat with other members of the party.  This Baxter is printed in sepia, and mounted on card, although not a stamped Baxter mount.  The print is in very good condition; the card is a bit marked.  This print was issued unsigned in the plate.  Scarce. Courtney Lewis # 82b sepia. 
	]]>
   </summary>
   <content type="html">
    
       <![CDATA[ 
		
     <br/>Baxter, George .

        
        <br/>London:1841.

        <br/>Price: $350.00
       
	]]>
   </content>
 </entry>

 <entry>
   <title>
	<![CDATA[
	The Mountain Stream.  (Indians reposing). - Baxter, George.
	]]>	
   </title>
   <link href="http://www.antipodean.com/cgi-bin/antipodean/13024"/>
   <id>urn:uuid:1225c695-cfb8-4ebb-aaaa-80da344efa6a74</id>
   <updated>2013-05-22T15:53:17Z</updated>
   <summary type="html">
      
	<![CDATA[ 
		A large Baxter print, signed in the image Feby. 25, 1856, by G. Baxter, Proprietor & Patentee London.  27.7 x 37.4 cm.   Baxter's number 143 lists the publication as Feby. 25, 1855, with a note that there are prints with other dates.  Courtney Lewis 346.  A gorgeously dense, tropical landscape; the stream is shown running along a rocky bed strewn with debris of fallen timber and huge stones.  Two women rest on an outcrop to the right, dressed in sarong-like garments with only one breast covered, with a baby.  The vegetation is very tropical, with palms, exotic flowers, banyan type tree roots and ferns, which, combined with the effect of the scantily-clad women, suggests an idealized South Pacific scene.  Mounted on card, but not a Baxter mount.   At some point in the past, a framing mount was glued to the face of the card, and there is residue from this marking the card, and the very edges of the printed surface.  Otherwise in very nice condition.   
	]]>
   </summary>
   <content type="html">
    
       <![CDATA[ 
		
     <br/>Baxter, George.

        
        <br/>London:George Baxter,1856.

        <br/>Price: $350.00
       
	]]>
   </content>
 </entry>

 <entry>
   <title>
	<![CDATA[
	Captain James Cook. F.R.S. - Hodges, William (after).
	]]>	
   </title>
   <link href="http://www.antipodean.com/cgi-bin/antipodean/16659"/>
   <id>urn:uuid:1225c695-cfb8-4ebb-aaaa-80da344efa6a75</id>
   <updated>2013-05-22T15:53:17Z</updated>
   <summary type="html">
      
	<![CDATA[ 
		Portrait of Captain Cook as a young man.  Engraved by J. Basire 1777.  Copper engraving, 8 1/2 x 11 1/4" plus margins, wove paper.   Frontispiece to Cook's 2nd Voyage around the World.  With the full old border; at some point in the distant past an extra border almost one half inch around has been added.  There are no details at the bottom where the publishing details should be. In lovely condition, very nice overall.   
	]]>
   </summary>
   <content type="html">
    
       <![CDATA[ 
		
     <br/>Hodges, William (after).

        
        <br/>London:1777.

        <br/>Price: $750.00
       
	]]>
   </content>
 </entry>

 <entry>
   <title>
	<![CDATA[
	Cadet Life at West Point. - Davis, Theodore R.
	]]>	
   </title>
   <link href="http://www.antipodean.com/cgi-bin/antipodean/17383"/>
   <id>urn:uuid:1225c695-cfb8-4ebb-aaaa-80da344efa6a76</id>
   <updated>2013-05-22T15:53:17Z</updated>
   <summary type="html">
      
	<![CDATA[ 
		An attractive composite view of life at West Point during the 1860s, published in Harper's Weekly in 1868.  The central Parade Ground (with the dome of the old Delafield Library) in the distance) is surrounded by Cavalry Charge, Kosciusko's Monument (the oldest continuous garden in the United States); a view of the Hudson, Salute to School Ships from Battery Knox; reporting to the adjutant; "Stand Attention" Sir; section room; mortar practice; examination before board of visitors; practical military engineering; cadet limits; telegraphing; and fencing.   Woodcut with attractive later hand color.  20 5/8 x 14 1/4".  2 small binding holes at top.   
	]]>
   </summary>
   <content type="html">
    
       <![CDATA[ 
		
     <br/>Davis, Theodore R.

        
        <br/>New York:Harper's Weekly,1868.

        <br/>Price: $350.00
       
	]]>
   </content>
 </entry>

 <entry>
   <title>
	<![CDATA[
	American Flamingo.  Phoenicopterus Ruber, Linn.  Old Male. - &#91;Audubon, John James].
	]]>	
   </title>
   <link href="http://www.antipodean.com/cgi-bin/antipodean/16885"/>
   <id>urn:uuid:1225c695-cfb8-4ebb-aaaa-80da344efa6a77</id>
   <updated>2013-05-22T15:53:17Z</updated>
   <summary type="html">
      
	<![CDATA[ 
		Extremely high quality facsimile giclee prints taken from an original elephant folio edition of Audubon's "Birds of America", original sold to the Teylers Museum in Haarlem, Netherlands in 1833.   No. 38/250.  The prints are printed on Hahnemuhle white etching paper, 25% rag, which is age resistant.   They are printed using archival ink which resists  fading for up to 100 years.  It is printed in the original size, proofed by the museum's curator,  at an extremely high resolution of 2880 dpi.  26.4 x 39".   They are never produced with the use of stock diapositives or negatives.  The quality far exceeds all other Audubon print reproductions.   
	]]>
   </summary>
   <content type="html">
    
       <![CDATA[ 
		
     <br/>&#91;Audubon, John James].

        
        <br/>Amsterdam:Heritage Editions,2012.

        <br/>Price: $600.00
       
	]]>
   </content>
 </entry>

 <entry>
   <title>
	<![CDATA[
	Pileated Woodpecker.  Picus Pileatus, Linn.  Adult Male, l.  Adult Female 2.  Young Males, 3, 4.  Racoon Grape.  Vitus Astivalis. - &#91;Audubon, John James].
	]]>	
   </title>
   <link href="http://www.antipodean.com/cgi-bin/antipodean/16887"/>
   <id>urn:uuid:1225c695-cfb8-4ebb-aaaa-80da344efa6a78</id>
   <updated>2013-05-22T15:53:17Z</updated>
   <summary type="html">
      
	<![CDATA[ 
		Extremely high quality facsimile giclee prints taken from an original elephant folio edition of Audubon's "Birds of America", original sold to the Teylers Museum in Haarlem, Netherlands in 1833.   No. 6/250.  The prints are printed on Hahnemuhle white etching paper, 25% rag, which is age resistant.   They are printed using archival ink which resists  fading for up to 100 years.  It is printed in the original size, proofed by the museum's curator,  at an extremely high resolution of 2880 dpi.  26.4 x 39".   They are never produced with the use of stock diapositives or negatives.  The quality far exceeds all other Audubon print reproductions.   
	]]>
   </summary>
   <content type="html">
    
       <![CDATA[ 
		
     <br/>&#91;Audubon, John James].

        
        <br/>Amsterdam:Heritage Editions,2012.

        <br/>Price: $600.00
       
	]]>
   </content>
 </entry>

 <entry>
   <title>
	<![CDATA[
	Trumpeter Swan.  Cygnus Buccinator, Richardson.  Adult. - &#91;Audubon, John James].
	]]>	
   </title>
   <link href="http://www.antipodean.com/cgi-bin/antipodean/16888"/>
   <id>urn:uuid:1225c695-cfb8-4ebb-aaaa-80da344efa6a79</id>
   <updated>2013-05-22T15:53:17Z</updated>
   <summary type="html">
      
	<![CDATA[ 
		Extremely high quality facsimile giclee prints taken from an original elephant folio edition of Audubon's "Birds of America", original sold to the Teylers Museum in Haarlem, Netherlands in 1833.   No. 9/250.  The prints are printed on Hahnemuhle white etching paper, 25% rag, which is age resistant.   They are printed using archival ink which resists  fading for up to 100 years.  It is printed in the original size, proofed by the museum's curator,  at an extremely high resolution of 2880 dpi.  26.4 x 39".   They are never produced with the use of stock diapositives or negatives.  The quality far exceeds all other Audubon print reproductions.   
	]]>
   </summary>
   <content type="html">
    
       <![CDATA[ 
		
     <br/>&#91;Audubon, John James].

        
        <br/>Amsterdam:Heritage Editions,2012.

        <br/>Price: $600.00
       
	]]>
   </content>
 </entry>

 <entry>
   <title>
	<![CDATA[
	The Narrows, New York Bay. - Currier & Ives.
	]]>	
   </title>
   <link href="http://www.antipodean.com/cgi-bin/antipodean/16597"/>
   <id>urn:uuid:1225c695-cfb8-4ebb-aaaa-80da344efa6a80</id>
   <updated>2013-05-22T15:53:17Z</updated>
   <summary type="html">
      
	<![CDATA[ 
		Early color, a bit sunned with a repaired closed tear in margin slightly visible through the word "Bay".  Image size 8 x 12 1/2"  on paper 11 x 16".  C:4381 
	]]>
   </summary>
   <content type="html">
    
       <![CDATA[ 
		
     <br/>Currier & Ives.

        
        <br/>New York:Currier & Ives, 152 Nassau St.,undated.

        <br/>Price: $250.00
       
	]]>
   </content>
 </entry>

 <entry>
   <title>
	<![CDATA[
	Rip Van Winkle Illustrated by F. O. C. Darley. - Darley, Felix O.C.; Washington Irving.
	]]>	
   </title>
   <link href="http://www.antipodean.com/cgi-bin/antipodean/16570"/>
   <id>urn:uuid:1225c695-cfb8-4ebb-aaaa-80da344efa6a81</id>
   <updated>2013-05-22T15:53:17Z</updated>
   <summary type="html">
      
	<![CDATA[ 
		Designed & Etched by Felix O.C. Darley. Entered according to Congress, 1849.  The classic Hudson River story beautifully illustrated by notable artist Felix Darley in 6 delightful black and white engravings, some with the river in the background.  11pp text & 6 plates. Oblong folio, gray paper wraps, with cover illustration of Rip asleep in the mountains.  Sympathetic modern cloth repair to spine; some scattered foxing, chipping to edges front cover.  Internally, some marks at lower edges of plates, not affecting images.   
	]]>
   </summary>
   <content type="html">
    
       <![CDATA[ 
		
     <br/>Darley, Felix O.C.; Washington Irving.

        
        <br/>The American Art Union,1848.

        <br/>Price: $125.00
       
	]]>
   </content>
 </entry>

 <entry>
   <title>
	<![CDATA[
	Beautiful Leaved Plants; - Lowe, E.J.
	]]>	
   </title>
   <link href="http://www.antipodean.com/cgi-bin/antipodean/8286"/>
   <id>urn:uuid:1225c695-cfb8-4ebb-aaaa-80da344efa6a82</id>
   <updated>2013-05-22T15:53:17Z</updated>
   <summary type="html">
      
	<![CDATA[ 
		Lowe, E.J. Beautiful Leaved Plants; being a description of the Most Beautiful Leaved Plants in Cultivation in this Country; to which is added an extended catalogue. Bell and Daldy, 1872. 1872 edition, w/ 60 fine chromolithograph plates. Roy. 8vo, viii, 144pp, 60 plates with tissue guards, text illustrations, all edges gilt. Orig. green & gilt decorated cloth, rubbed at extremes & somewhat loose in boards. Plates in excellent condition. 
	]]>
   </summary>
   <content type="html">
    
       <![CDATA[ 
		
     <br/>Lowe, E.J.

        
        

        <br/>Price: $0.00
       
	]]>
   </content>
 </entry>

 <entry>
   <title>
	<![CDATA[
	Captain Oates walking into the blizzard to die, leaving Scott, Wilson. - Oates, Captain.)  Dollman, J.C.
	]]>	
   </title>
   <link href="http://www.antipodean.com/cgi-bin/antipodean/8389"/>
   <id>urn:uuid:1225c695-cfb8-4ebb-aaaa-80da344efa6a83</id>
   <updated>2013-05-22T15:53:17Z</updated>
   <summary type="html">
      
	<![CDATA[ 
		Oates, Captain.) Dollman, J.C. Captain Oates walking into the blizzard to die, leaving Scott, Wilson & Bowers behind in the tent. Limited reproduction of the 1913 painting by J.C. Dollman, signed by Dollman, printed by Orman of Nottingham ca. 1913. Oates was part of the team who raced Amundsen to the South Pole. Amundsen beat them to the Pole, and the group, who encountered bad weather, were struggling on the return leg. Oates, who was badly frost-bitten, made the decision to leave Captain Scott, Dr. Wilson & Birdie Bowers, as he felt he was hindering their chances at a successful return. He is bent into the wind, making his way from the camp. His famous quote "I'm going out, and I shall be some time..." is the epitome of heroic English understatement. Colored print, 20 x 11 3/4, mounted onto dark gray rag paper with the blind stamp "Orman Nottingham", 22 x 14 1/2, mounted onto lighter gray card 30 1/2 x 22 1/2. Two 1" margin tears in largest card o/w in very good condition indeed. Lightly written in pencil is a notation "original painting in Charton Club (sp?). A rare item. 
	]]>
   </summary>
   <content type="html">
    
       <![CDATA[ 
		
     <br/>Oates, Captain.)  Dollman, J.C.

        
        

        <br/>Price: $0.00
       
	]]>
   </content>
 </entry>

 <entry>
   <title>
	<![CDATA[
	American Art Union Member prints for 1850 & 1851.
	]]>	
   </title>
   <link href="http://www.antipodean.com/cgi-bin/antipodean/8480"/>
   <id>urn:uuid:1225c695-cfb8-4ebb-aaaa-80da344efa6a84</id>
   <updated>2013-05-22T15:53:17Z</updated>
   <summary type="html">
      
	<![CDATA[ 
		American Art Union Member prints for 1850 & 1851. A total of 10 engravings, images approx. 10 1/2 x 9", with wide margins. Assembled in an untitled half red oblong morocco album. The American Art Union formed from the Apollo Association, and their goal was to promote the fine arts by exhibitions and the reproduction of paintings. This concept had originated in Germany and spread to Great Britain and to the United States. The Art Union flourished to an organization of 19,000 members, with an annual lottery for oil paintings. A critical blow to them came in 1852 when the New York State Supreme Court found the yearly lottery of artworks to be illegal. The AAU was forced to dissolve, and in 1852 held an auction to sell off the paintings and sculptures in their collection. In 1863, those that went unsold, as well as the records of the organization, were given to the New-York Historical Society, many members of which had also been AAU subscribers. Of the many prints & duplicates in the possession of the New York Historical Society, they note that they do not have 3, one of which is in this volume "Dover Plains". Prints in this folio: Dream of Arcadia. Painted by Thomas Cole, Engraved by James Smillie. New York: American Art Union, 1850. 17 x 26.8 cm. The Image Breaker. Painted by E. Leutze, Engraved by Alfred Jones. New York: American Art Union, 1850. 23.4 x 19.9 cm. Dover Plains. Painted by Asher B. Durand, Engraved by James Smillie. New York: American Art Union, 1850. 17.5 x 26.5 cm. The New Scholar. Painted by F. W. Edmonds, Engraved by Alfred Jones. New York: American Art Union, 1850. 19 x 23.7 cm. The Card Players. Painted by R. C. Woodville, Engraved by Charles Burt. New York: American Art Union, 1850. 18.5 x 25.3 cm. Mount Washington from the Valley of Conway, after John F. Kensett,engraved by James Smillie, printed by J. Dalton 1851 Old 76 and Young 46. Painted by R. C. Woodville, Engraved by J. Pease. New York: American Art Union, 1851. 18.8 x 24.4 cm. Bargaining for a Horse. Painted by W. S. Mount, Engraved by C. Burt. New York: American Art Union, 1851. American Harvesting. After Jasper F. Cropsey, engraved by James Smillie, printed by J. Dalton 1851Marion Crossing the Pedee. Painted by W. Ranney, Engraved by C. Burt. New York: American Art Union, 1851. 20 x 30.1 cm. 
	]]>
   </summary>
   <content type="html">
    
       <![CDATA[ 
		
     

        
        

        <br/>Price: $0.00
       
	]]>
   </content>
 </entry>

 <entry>
   <title>
	<![CDATA[
	Pole Boreal (Nord) /Polo Boreal (Norte). Lithograph of the North Pole. - Le Duc, Ch.
	]]>	
   </title>
   <link href="http://www.antipodean.com/cgi-bin/antipodean/8481"/>
   <id>urn:uuid:1225c695-cfb8-4ebb-aaaa-80da344efa6a85</id>
   <updated>2013-05-22T15:53:17Z</updated>
   <summary type="html">
      
	<![CDATA[ 
		Large lithograph in the Arctic ice, hunting polar bear, entitled above "Le Tour du Monde". Paris, L. Turgis, nd, ca 1830's. 24 x 19", and margins, period hand color. The description below is in french & spanish, and describes the polar bear hunt as being quite dangerous - "One generally kills them with a gunshot...but if the animals are numerous they throw themselves in the water and come along side the canoes, where one is obliged to push them away with hatchets."  Sml. mark in blank sky, barely visible, o/w vgc. 
	]]>
   </summary>
   <content type="html">
    
       <![CDATA[ 
		
     <br/>Le Duc, Ch.

        
        

        <br/>Price: $0.00
       
	]]>
   </content>
 </entry>

 <entry>
   <title>
	<![CDATA[
	The Soldier in Our Civil War:A Pictorial History of the Conflict. - Mottelay, Paul F., ed.
	]]>	
   </title>
   <link href="http://www.antipodean.com/cgi-bin/antipodean/8640"/>
   <id>urn:uuid:1225c695-cfb8-4ebb-aaaa-80da344efa6a86</id>
   <updated>2013-05-22T15:53:17Z</updated>
   <summary type="html">
      
	<![CDATA[ 
		Mottelay, Paul F., ed. The Soldier in Our Civil War: A Pictorial History of the Conflict 1861-1865, illustrating the valor of the soldier as displayed on the battle-field. Vol. I ONLY. J. H. Brown Publishing Co., NY 1884, 1st edition. Folio, 421pp, fabulously illustrated throughout with numerous wood-cut illustrations from sketches taken on the battlefields by illustrators such as Forbes, Waud, Taylor, Hall, Becker, Lovie, Schell, Crane et al. Orig. tan cloth, black & gold decorated. Title rubbed and frayed at edges o/w very good. There is a faint dampstain near bottom edge. Hinges tight. The folding plate at pp. 378-9 is fine. 
	]]>
   </summary>
   <content type="html">
    
       <![CDATA[ 
		
     <br/>Mottelay, Paul F., ed.

        
        

        <br/>Price: $0.00
       
	]]>
   </content>
 </entry>

 <entry>
   <title>
	<![CDATA[
	New York in 1826.  Broadway from the Bowling Green. - Augier, L.
	]]>	
   </title>
   <link href="http://www.antipodean.com/cgi-bin/antipodean/8774"/>
   <id>urn:uuid:1225c695-cfb8-4ebb-aaaa-80da344efa6a87</id>
   <updated>2013-05-22T15:53:17Z</updated>
   <summary type="html">
      
	<![CDATA[ 
		Augier, L. New York in 1826. Broadway from the Bowling Green. Large attractive view of New York, a re-strike from the original plate. Lovely sepia tones and highlighted with hand color. 21 x 16 1/2", laid down & matted. 
	]]>
   </summary>
   <content type="html">
    
       <![CDATA[ 
		
     <br/>Augier, L.

        
        

        <br/>Price: $0.00
       
	]]>
   </content>
 </entry>

 <entry>
   <title>
	<![CDATA[
	The Three Bells Polka. Wreck of the Ship "San Francisco" 1853. - Music.  "T.J.C.".
	]]>	
   </title>
   <link href="http://www.antipodean.com/cgi-bin/antipodean/8967"/>
   <id>urn:uuid:1225c695-cfb8-4ebb-aaaa-80da344efa6a88</id>
   <updated>2013-05-22T15:53:17Z</updated>
   <summary type="html">
      
	<![CDATA[ 
		Music. "T.J.C.". The Three Bells Polka. Wreck of the Ship "San Francisco" 1853. Capt. Creighton, of the ship "Three Bells", risks his own life to save those on board the ill-fated "San Francisco". Unfortunately, 240 people perished. Publ. in London, nd, ca. 1853. 6pp, with beautiful color lithographic graphic on the front wrapper. $175 
	]]>
   </summary>
   <content type="html">
    
       <![CDATA[ 
		
     <br/>Music.  "T.J.C.".

        
        

        <br/>Price: $0.00
       
	]]>
   </content>
 </entry>

 <entry>
   <title>
	<![CDATA[
	Illustrations of Rip Van Winkle with The Legend of Sleep Hollow. - Darley, Felix O.C.  Washington Irving.
	]]>	
   </title>
   <link href="http://www.antipodean.com/cgi-bin/antipodean/9232"/>
   <id>urn:uuid:1225c695-cfb8-4ebb-aaaa-80da344efa6a89</id>
   <updated>2013-05-22T15:53:17Z</updated>
   <summary type="html">
      
	<![CDATA[ 
		Darley, Felix O.C. Washington Irving. Illustrations of Rip Van Winkle with The Legend of Sleepy Hollow. Designed & Etched by Felix O.C. Darley for Members of the American Art-Union. (1848). Oblong folio, 12 1/2" x 15", 11pp text & 6 plates. (Bound with) "Illustrations of the Legend of Sleepy Hollow". Designed & Etched by Felix O.C. Darley. Entered according to Congress, 1849 & 1850'; 16pp text & 6 plates. Brown half calf, gilt title, buckram boards, marble end papers. All edges red. Leather a little rubbed o/w very good condition. The two classic Hudson River stories beautifully illustrated by notable artist Felix Darley in 12 delightful black and white engravings, some with the river in the background. Both title pages bear the contemporary signature of the original owner " William Wells Holly" and the dates 1848 &1849. 
	]]>
   </summary>
   <content type="html">
    
       <![CDATA[ 
		
     <br/>Darley, Felix O.C.  Washington Irving.

        
        

        <br/>Price: $0.00
       
	]]>
   </content>
 </entry>

 <entry>
   <title>
	<![CDATA[
	Fish and Game of the State of New York. Portfolio. - Forest, Fish & Game Commission.  Denton, Sherman.
	]]>	
   </title>
   <link href="http://www.antipodean.com/cgi-bin/antipodean/9263"/>
   <id>urn:uuid:1225c695-cfb8-4ebb-aaaa-80da344efa6a90</id>
   <updated>2013-05-22T15:53:17Z</updated>
   <summary type="html">
      
	<![CDATA[ 
		The portfolio volume, sold as a collection of prints with 65 of the 100 prints by Sherman  Denton.  State of New York, Albany, New York 1902.  Handsome chromolithograph color plates.  In the original aqua slipcase, title in gilt.  Case a little bumped on corners o/w vgc.  Plates in immaculate condition with the many TROUT plates amongst the 59 fish plates.  The rest of the suite are of animals of New York.  37 fish plates (including 5 trout); 25 bird plates 3 mammals, a total of 65 of 100 plates. 
	]]>
   </summary>
   <content type="html">
    
       <![CDATA[ 
		
     <br/>Forest, Fish & Game Commission.  Denton, Sherman.

        
        

        <br/>Price: $0.00
       
	]]>
   </content>
 </entry>

 <entry>
   <title>
	<![CDATA[
	The Soldier in Our Civil War: A Pictorial History of the Conflict, 1861-1865, - Mottelay, Paul F., ed.
	]]>	
   </title>
   <link href="http://www.antipodean.com/cgi-bin/antipodean/10830"/>
   <id>urn:uuid:1225c695-cfb8-4ebb-aaaa-80da344efa6a91</id>
   <updated>2013-05-22T15:53:17Z</updated>
   <summary type="html">
      
	<![CDATA[ 
		illustrating the valor of the soldier as displayed on the battle-field.  A  magnificently bound set.  Elephant folio, 2 volumes, 474pp, (&) 444pp, extensively illustrated throughout with numerous wood-cut illustrations from sketches taken on the battlefields by illustrators such as Forbes, Waud, Taylor, Hall, Becker, Lovie, Schell, Crane et al.  All edges marbled. Magnificently bound by  Spink & Gaborc, New York in half brown morocco, raised bands, gilt title, rules & decorative devices.  Retains the original gilt pictorial cloth design of a soldier standing in a circle of stars with flags waving & the title.  A fine copy. 
	]]>
   </summary>
   <content type="html">
    
       <![CDATA[ 
		
     <br/>Mottelay, Paul F., ed.

        
        <br/>New York:Stanley Bradley Publishing Company,1890.

        <br/>Price: $0.00
       
	]]>
   </content>
 </entry>

 <entry>
   <title>
	<![CDATA[
	Los Angeles. - US Pacific Railroad Exploration & Surveys.
	]]>	
   </title>
   <link href="http://www.antipodean.com/cgi-bin/antipodean/10849"/>
   <id>urn:uuid:1225c695-cfb8-4ebb-aaaa-80da344efa6a92</id>
   <updated>2013-05-22T15:53:17Z</updated>
   <summary type="html">
      
	<![CDATA[ 
		Print of Los Angeles as a rather sparsely populated town, from a hillside above it.  Mountains in the distance.  Lithograph with period wash color.   
	]]>
   </summary>
   <content type="html">
    
       <![CDATA[ 
		
     <br/>US Pacific Railroad Exploration & Surveys.

        
        <br/>ca. 1854.

        <br/>Price: $0.00
       
	]]>
   </content>
 </entry>

 <entry>
   <title>
	<![CDATA[
	Novum Amsterodamum, View of New York, copperplate engraving. - Montanus, Arnoldus.
	]]>	
   </title>
   <link href="http://www.antipodean.com/cgi-bin/antipodean/11385"/>
   <id>urn:uuid:1225c695-cfb8-4ebb-aaaa-80da344efa6a93</id>
   <updated>2013-05-22T15:53:17Z</updated>
   <summary type="html">
      
	<![CDATA[ 
		Copperplate engraving, 5" x 61/2", matted. A very early view of New York City from the water. In the background are a windmill, a signal tower and church, and in the foreground, two sailing ships and two row boats. This view was first published in Montanus' book De Nieuwe en Onbekende Weereld, published in Amsterdam in 1671. The engraving depicts early New York (New Amsterdam) as it looked in 1651 and may be based on a drawing by Augustine Herrman. 
	]]>
   </summary>
   <content type="html">
    
       <![CDATA[ 
		
     <br/>Montanus, Arnoldus.

        
        <br/>Amsterdam:1671.

        <br/>Price: $0.00
       
	]]>
   </content>
 </entry>

 <entry>
   <title>
	<![CDATA[
	Perruche A Tete Pourpre, Male, Port - du - Roi - Georges.  Nouvelle-Hollande.  King or Red-Capped Parrot from Dumont D'Urville's "Voyage de l'Astrolabe" - Prevost, A.  Dumont D'Urville.
	]]>	
   </title>
   <link href="http://www.antipodean.com/cgi-bin/antipodean/11395"/>
   <id>urn:uuid:1225c695-cfb8-4ebb-aaaa-80da344efa6a94</id>
   <updated>2013-05-22T15:53:17Z</updated>
   <summary type="html">
      
	<![CDATA[ 
		Extremely scarce engraving with original hand color of the King parrot from the Albany area of Western Australia.  Plate 22 from the Zoology atlas of Dumont D'Urville's "Voyage de l'Astrolabe" published from 1830-34.  Very light overall foxing, with a closed crack along the plate impression mark at the top.  Image approx 9 x 14" on paper 13 1/8 x 20", with a very clear blind oval voyage stamp reading "Voyage de l'Astrolabe Dumont D'Urville Commandant.  J.T."   Dumont D'Urville's massive record of the voyage of the Astrolabe rarely comes up, and the opportunity to find prints like this are few and far between. 
	]]>
   </summary>
   <content type="html">
    
       <![CDATA[ 
		
     <br/>Prevost, A.  Dumont D'Urville.

        
        

        <br/>Price: $0.00
       
	]]>
   </content>
 </entry>

 <entry>
   <title>
	<![CDATA[
	Scenery on the Hudson.  N.Y. - Van Blon, alias John  Latrobe.  John Hill, aquatint engraver.
	]]>	
   </title>
   <link href="http://www.antipodean.com/cgi-bin/antipodean/11516"/>
   <id>urn:uuid:1225c695-cfb8-4ebb-aaaa-80da344efa6a95</id>
   <updated>2013-05-22T15:53:17Z</updated>
   <summary type="html">
      
	<![CDATA[ 
		Aquatint  engraved by John Hill, master of aquatint, well known for his aquatint engravings for the rare "Hudson River Port Folio".  7 x 9 3/4 inches with full margin. A charming scene on the Hudson River at the northern end of the Palisades with the cliff face clearly visible.  A sloop and 2 row boats, a fisherman with a basket of fish on his head and net in hand, 3 sailing vessels.  A superb original color copy of a very scarce plate. Taken from Lucas' Progressive Drawing Book  in which Hill included one other Hudson River view and two more of West Point .   E Van Blon is an alias for John Hazlehurst Boneval Latrobe (1803-1991 ), son of the famous architect and former cadet of West Point Millitary Academy.  Framed in sturdy modern wooden frame. Very Good condition.  See Koke checklist  #128.   
	]]>
   </summary>
   <content type="html">
    
       <![CDATA[ 
		
     <br/>Van Blon, alias John  Latrobe.  John Hill, aquatint engraver.

        
        <br/>Baltimore:Fielding Lucas,1828.

        <br/>Price: $0.00
       
	]]>
   </content>
 </entry>

 <entry>
   <title>
	<![CDATA[
	A Family of New South Wales. - King, Governor.  William Blake.
	]]>	
   </title>
   <link href="http://www.antipodean.com/cgi-bin/antipodean/11603"/>
   <id>urn:uuid:1225c695-cfb8-4ebb-aaaa-80da344efa6a96</id>
   <updated>2013-05-22T15:53:17Z</updated>
   <summary type="html">
      
	<![CDATA[ 
		A wonderful copper engraved plate after a sketch by Governor King of an aboriginal family walking back to camp after a successful spear fishing expedition. According to Bernard Smith in his work "European Vision and the South Pacific" --"This is an example of the typical Noble Savage ---- Blake elevated the conception and refined the drawing. --- Engraved 4 years after the Little Black Boy and Songs of Innocence, the engraving is in some ways the poems visual equivalent."  The male carries a woomera and "gidgi"? four pronged spear and a shield, the woman carrying the fish, what looks like a fishing line with hook, a baby and a dilly bag on her back. The young male at rear carrying a fire stick and 3 small spears. The landscape is limited to low scrub only, without other background.  Plate size 8.25 x 9.75 ", an exceptionally wide margined copy with complete impression mark , some light fox spotting out side the plate and small tear similarly outside the impression and a good inch from the image, very good condition overall.  An important Blake engraving rarely found loose usually bound in Hunter's account of the new colony. 
	]]>
   </summary>
   <content type="html">
    
       <![CDATA[ 
		
     <br/>King, Governor.  William Blake.

        
        <br/>London:Stockdale,Nov 15,1792.

        <br/>Price: $0.00
       
	]]>
   </content>
 </entry>

 <entry>
   <title>
	<![CDATA[
	U.S. Military Academy, West Point.  From the opposite shore. - Palmer, F.F.  Currier & Ives.
	]]>	
   </title>
   <link href="http://www.antipodean.com/cgi-bin/antipodean/11824"/>
   <id>urn:uuid:1225c695-cfb8-4ebb-aaaa-80da344efa6a97</id>
   <updated>2013-05-22T15:53:17Z</updated>
   <summary type="html">
      
	<![CDATA[ 
		Currier & Ives lithograph with original hand color, published in New York, 1862. 15 1/2 x 11 3/4" with standard margins.  Original color enhanced.  Fannie Palmer is the artist for this Currier & Ives lithograph. She was the only female artist at C&I, and her work is much sought after. This beautiful view is taken from West Point looking across the Hudson, with Garrison/ Cold Spring (?) visible on the opposite banks. 
	]]>
   </summary>
   <content type="html">
    
       <![CDATA[ 
		
     <br/>Palmer, F.F.  Currier & Ives.

        
        

        <br/>Price: $0.00
       
	]]>
   </content>
 </entry>

 <entry>
   <title>
	<![CDATA[
	Cozzen's Dock, West Point Hudson River. - Palmer, F.F.  Currier & Ives.
	]]>	
   </title>
   <link href="http://www.antipodean.com/cgi-bin/antipodean/11825"/>
   <id>urn:uuid:1225c695-cfb8-4ebb-aaaa-80da344efa6a98</id>
   <updated>2013-05-22T15:53:17Z</updated>
   <summary type="html">
      
	<![CDATA[ 
		Currier & Ives lithograph with original hand color enhanced.  15 1/2 x 11 3/4" with standard margins.  Fannie Palmer is the artist for this Currier & Ives lithograph. She was the only female artist at C&I, and her work is much sought after.  A view from Cozzen's Dock, the dock for West Point, with Garrison NY in the distance.   Repaired tear in margin, just touching the title.   
	]]>
   </summary>
   <content type="html">
    
       <![CDATA[ 
		
     <br/>Palmer, F.F.  Currier & Ives.

        
        <br/>New York:Currier & Ives,1862.

        <br/>Price: $0.00
       
	]]>
   </content>
 </entry>

 <entry>
   <title>
	<![CDATA[
	Entree de la petite ville de Balanga, du cote de la mer.  Ile Lucon, Philippines.
	]]>	
   </title>
   <link href="http://www.antipodean.com/cgi-bin/antipodean/11888"/>
   <id>urn:uuid:1225c695-cfb8-4ebb-aaaa-80da344efa6a99</id>
   <updated>2013-05-22T15:53:17Z</updated>
   <summary type="html">
      
	<![CDATA[ 
		Original hand colored lithograph view of Balanga from the river. Plate 17 from "Album Pittoresque de la fregate La Thetis et de la corvette L'Esperance".    Fig par V. Adam, d'apres E.B. de la Touanne ; lith de Langlume.  Image 20.7 x 29.8 cm. on sheet 29.5 x 45 cm.   
	]]>
   </summary>
   <content type="html">
    
       <![CDATA[ 
		
     

        
        <br/>Paris:Bichebois et Sabatier,1828.

        <br/>Price: $0.00
       
	]]>
   </content>
 </entry>

 <entry>
   <title>
	<![CDATA[
	Manille,  Pont sur le Passig.
	]]>	
   </title>
   <link href="http://www.antipodean.com/cgi-bin/antipodean/11890"/>
   <id>urn:uuid:1225c695-cfb8-4ebb-aaaa-80da344efa6a100</id>
   <updated>2013-05-22T15:53:17Z</updated>
   <summary type="html">
      
	<![CDATA[ 
		Fine lithographic view in original hand color with gum arabic highlights, plate no. 50 of: "Voyage autour du monde execute pendant les annees 1836 et 1837 sur la corvette La Bonite commandee par M. Vaillant. Album historique."  Fine view on the river, houses and bridge in distance, small vessels in the forground.   Drawn by Fisquet; printed by Ackermann in London.  30.7 x 21.2 cm. 
	]]>
   </summary>
   <content type="html">
    
       <![CDATA[ 
		
     

        
        <br/>Paris:Arthus-Bertrand,1842.

        <br/>Price: $0.00
       
	]]>
   </content>
 </entry>
 
</feed>

